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On the To Live and Die in L.A. DVD audio commentary, director William Friedkin stated to Wang Chung that he "didn’t want a theme song for To Live and Die in L.A." One day, though, Jack Hues and Nick Feldman gave Friedkin a copy of "To Live and Die in L.A." (to his dismay). Surprisingly, Friedkin was impressed and decided to keep the song as ...
"To Live & Die in L.A." is a song by rapper Tupac Shakur from his fifth studio album, The Don Killuminati: The 7 Day Theory (1996). Released in Europe and parts of Oceania under the Makaveli stage name as the album's second single, it featured vocals from Val Young .
The full “To Live and Die in L.A.” soundtrack featured vocal tracks on one side, and the instrumentals that Friedkin wanted on the other. Wang Chung followed it up with 1986’s “Mosaic ...
Wang Chung are an English new wave band, formed in London in 1980 by Nick Feldman, Jack Hues and Darren Costin. The name Wang Chung is Chinese ( 黃鐘 , pinyin : huáng zhōng ; Wade–Giles : huang chung ), meaning "yellow bell" in English, and is the first note in the Chinese classical music scale .
This article originally appeared in the April 1996 issue of SPIN. "Los Angeles is my favorite city in the world!" declares super foxy Red Hot Chili Peppers guitarist Dave Navarro, offering as ...
To Live and Die in L.A. is the third studio album by the English new wave band Wang Chung.It was released on 30 September 1985 by Geffen and is their first recording as a duo of lead vocalist Jack Hues and bassist Nick Feldman following the departure of drummer Darren Costin.
"To Live and Die in L.A." (Wang Chung song), a 1985 single from the soundtrack "To Live & Die in L.A." (song), a 1996 single by Makaveli, the stage name of rapper Tupac Shakur; To Live and Die in L.A., a 1984 novel by former Secret Service agent Gerald Petievich; the basis of the movie; To Live and Die in L.A. (podcast), an investigative and ...
Strictly 4 My N.I.G.G.A.Z... received generally positive reviews from music critics.In The New Rolling Stone Album Guide book, Greg Tate saw 2Pac "comes with a sense of drive, and eruptive, dissident, dissonant fervour worthy of Fear of a Black Planet and AmeriKKKa's Most Wanted", and called it Shakur's "best constructed and most coherent album, and it's also his most militantly political". [7]