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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A musical cryptogram is a cryptogrammatic sequence of musical symbols which can be taken to refer to an extra-musical text by some 'logical' relationship, usually between note names and letters. The most common and best known examples result from composers using musically translated versions of their own or their friends' names (or initials) as ...
A typical five-line staff. In Western musical notation, the staff [1] [2] (UK also stave; [3] plural: staffs or staves), [1] also occasionally referred to as a pentagram, [4] [5] [6] is a set of five horizontal lines and four spaces that each represent a different musical pitch or in the case of a percussion staff, different percussion instruments.
The musical key literally becomes a cipher key (or cryptovariable), because the recipient needs that additional information to correctly decipher the melody. Öttingen-Wallerstein inserted rests as cipherkey markers to indicate when a new musical key was needed to decrypt the message.
In music, letter notation is a system of representing a set of pitches, for example, the notes of a scale, by letters. For the complete Western diatonic scale , for example, these would be the letters A-G, possibly with a trailing symbol to indicate a half-step raise ( sharp , ♯ ) or a half-step lowering ( flat , ♭ ).
Jeongganbo musical notation system. Jeongganbo is a traditional musical notation system created during the time of Sejong the Great that was the first East Asian system to represent rhythm, pitch, and time. [20] [21] Among various kinds of Korean traditional music, Jeong-gan-bo targets a particular genre, Jeong-ak (정악, 正樂).
The perfect fifth is a basic element in the construction of major and minor triads, and their extensions. Because these chords occur frequently in much music, the perfect fifth occurs just as often. However, since many instruments contain a perfect fifth as an overtone, it is not unusual to omit the fifth of a chord (especially in root position).
In the key of A major, an F major triad would be notated as ♭ 6. Other chord qualities such as major sevenths, suspended chords, and dominant sevenths use familiar symbols: 4 Δ 7 5 sus 5 7 1 would stand for F Δ 7 G sus G 7 C in the key of C, or E ♭ Δ 7 F sus F 7 B ♭ in the key of B ♭. A 2 means "add 2" or "add 9".
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