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The Augustus of Prima Porta (Italian: Augusto di Prima Porta) is a full-length portrait statue of Augustus, the first Roman emperor.. The statue was discovered on April 20, 1863, during archaeological excavations directed by Giuseppe Gagliardi at the Villa of Livia owned by Augustus' third and final wife, Livia Drusilla in Prima Porta.
The Augustus of Prima Porta is an example of an adlocutio pose. In ancient Rome the Latin word adlocutio means an address given by a general, usually the emperor, to his massed army and legions. The research of adlocutio focuses on the art of statuary and coinage aspects.
The museum consists of a large arched gallery in which are exhibited several statues, sarcophagi and friezes. The New Wing, or Braccio Nuovo, built by Raffaele Stern, houses statues including the Augustus of Prima Porta, the Doryphoros, and The River Nile. It is in the Neoclassical style and has a wide arched roof with skylights.
It is done similar to the Augustus of Prima Porta, also held in the Capitoline's collection. A bust of a similar style is present in the collection of the Museum of Fine Arts, Boston , with a characteristic style called the " Forbes type", which maintains a motif of comma-shaped locks brushed to one side of the forehead.
A large statue called the Genius of Augustus was placed in the northern portico, currently referred to as the Hall of the Colossus- the possible base is still intact and visible. Fragments of this statue are now located in the nearby Museum of the Imperial Fora. The forum is made of ashlar blocks of peperino tufa with Carrara marble.
Conversely, the statues of Augustus of Prima Porta and of Via Labicana Augustus have a composure reminiscent of Polykleitos and the other classical Greek sculptors. These show an expression of proud reserve, a disposition Augustus demonstrated in his Res Gestae Divi Augusti. The official iconography of Augustus was widespread.
The National Roman Museum (Italian: Museo Nazionale Romano) is a museum, with several branches in separate buildings throughout the city of Rome, Italy.It shows exhibits from the pre- and early history of Rome, with a focus on archaeological findings from the period of Ancient Rome.
The Grave relief of Publius Aiedius and Aiedia, 30 BC, Pergamon Museum (Berlin), with a more realist "Italian" style. The strengths of Roman sculpture are in portraiture, where they were less concerned with the ideal than the Greeks or Ancient Egyptians, and produced very characterful works, and in narrative relief scenes.