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The maple trees want more sunlight, but the oak trees are too tall. In the end, "the trees are all kept equal by hatchet, axe, and saw." [5] Rush drummer and lyricist Neil Peart was asked in the April/May 1980 issue of the magazine Modern Drummer if there was a message in the lyrics, to which he replied, "No. It was just a flash.
Stage Left live album, "Broon's Bane" is a short classical guitar piece written and performed by Lifeson as an extended intro to "The Trees". The song is named after Terry Brown, nicknamed "Broon" by the band, who produced Exit... Stage Left and 10 other Rush albums. (On the same album, Lee refers to Brown as "T.C. Broonsie" when introducing ...
Originally planned for inclusion on Rush's debut album, but scrapped in the end. The song has not been released in any format since the initial 1973 Moon Records release. Allegedly only 500 copies of the single were pressed. [7] [8] [10] "Finding My Way" Rush: 1974 Drummer: John Rutsey "Need Some Love" Rush: 1974 Drummer: John Rutsey "Take a ...
Rutsey wrote the lyrics, but tore them up on the day Lee was to record them and would not produce a new set. Lee quickly wrote a fresh set based on earlier versions, which was used on the final takes. [30] The first Rush logo, as seen on their debut album
Tom Sawyer was a collaboration between myself and Pye Dubois, an excellent lyricist who wrote the lyrics for Max Webster. His original lyrics were kind of a portrait of a modern day rebel, a free-spirited individualist striding through the world wide-eyed and purposeful.
"2112" (pronounced twenty-one twelve) is a song by the Canadian rock band Rush. It was released as a 20-minute song on their 1976 album of the same name and is the longest single song by the band. The overture and the first section, "The Temples of Syrinx", were released as a single.
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"Circumstances" is a song by Canadian rock band Rush from its 1978 album Hemispheres. Lyrically, it is an autobiographical account by drummer Neil Peart about the time he spent living in England, and his eventual disillusionment with his then-current occupations.