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Five Pieces for trombone and piano (1967) Flute players serenade: rondo for four flutes (as Thornton Winsloe) Sonata for viola solo, Op. 92 No. 3 (1942) Sonata for viola and piano, Op. 117 (1948) Sonata No. 1 for violin solo, Op. 33 (1925) Sonata No. 2 for violin solo, Op. 115 (1948) Sonata No. 1 in F-sharp minor for violin and piano, Op. 3 (1919)
The 9:37 song, the fourth and final track of the album, was Rush's first entirely instrumental piece. The multi-part piece was inspired by a dream guitarist Alex Lifeson had, and the music in these sections correspond to the occurrences in his dream. The opening segment was played on a nylon-string classical guitar.
First page of the autograph manuscript of the Kegelstatt Trio for clarinet, viola and piano by Mozart. A clarinet–viola–piano trio, often titled "Trio for Clarinet, Viola and Piano" is a work of chamber music that is scored for clarinet, viola, and piano; or is the designation for a musical ensemble of a group of three musicians playing these instruments.
These Konzertstücke are virtuoso concertante works, but the Sonata in E-flat major, written by Mendelssohn in 1824, when he was only 15, is genuine chamber music: the clarinet and the piano are both used equally as a melody and an accompaniment instrument, but the demands on the clarinettist are far more modest than in opp. 113 and 114.
Sergei Prokofiev: Sonata for Clarinet and Piano, Op.94 (1943), originally for flute, also arranged for violin; Mario Castelnuovo-Tedesco: Sonata for Clarinet and Piano, Op. 128 (1945) Nino Rota: Sonata in D major for Clarinet and Piano (1945) Mieczysław Weinberg: Sonata for Clarinet and Piano, Op. 28 (1945) Herbert Howells: Clarinet Sonata ...
Compositions for clarinet, violin, cello and piano (3 P) Pages in category "Compositions for clarinet" The following 25 pages are in this category, out of 25 total.
Three Pieces for Solo Clarinet is a solo instrumental work by Igor Stravinsky.The work was composed in 1918. [1] It was published in 1919, shortly after the completion of his Suite from L'Histoire du Soldat, as a thank-you gift to the philanthropist and arts patron Werner Reinhart, who was also an amateur clarinetist. [2]
The piano plays sixteenth notes outlining the harmonies while the clarinet continues playing a slurred melody. The harmony descends in an imitation of the A section melody through the keys D ♭ major, C ♭ major, and A major. The clarinet gets a chance to play the sixteenth notes that the piano had before the modulation to E major.