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"Get Happy" is a song composed by Harold Arlen, with lyrics written by Ted Koehler. It was the first song they wrote together, and was introduced by Ruth Etting [citation needed] in The Nine-Fifteen Revue in 1930. [1] The song expresses the gospel music theme of getting happy, an expression of religious ecstasy for salvation.
In the lyrics of "Use This Gospel", both members of Clipse deliver self-reflection from different stages, connecting the universality of gospel. [13] On the hook, West provides traditional Christian prayer language, including the lyrics "We call on your blessings / In the Father, we put our faith" and "Use this gospel for protection, it's a ...
"The Gospel Train (Get on Board)" is a traditional African-American spiritual first published in 1872 as one of the songs of the Fisk Jubilee Singers. [2] A standard Gospel song, it is found in the hymnals of many Protestant denominations and has been recorded by numerous artists. The first verse, including the chorus is as follows:
All songs by Bob Dylan, except "Saved," written by Bob Dylan and Tim Drummond. "When You Gonna Wake Up" includes additional lyrics by Lee Williams. "Gotta Serve Somebody" - Shirley Caesar- 5:48 "When You Gonna Wake Up" - Lee Williams and the Spiritual QC's - 4:43 "I Believe In You" - Dottie Peoples - 5:25 "Are You Ready" - The Fairfield Four- 2:34
The Two Gospel Keys recorded "You've Got to Move", which was released on a 78-rpm record in 1948. [1] Emma Daniels (vocals and guitar) and Mother Sally Jones (vocals and tambourine) comprised the gospel music duo. [ 2 ]
The Gospel Road: A Story of Jesus is a double album and the fourth gospel album and 45th overall album by American country singer Johnny Cash, released on Columbia Records in 1973 (see 1973 in music). It is the soundtrack to the film of the same name released by Twentieth Century Fox. The movie and the soundtrack tell the story of the life of ...
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Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...