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A Universal Negro Improvement Association parade in Harlem, 1920. A sign on a car says "The New Negro Has No Fear". "New Negro" is a term popularized during the Harlem Renaissance implying a more outspoken advocacy of dignity and a refusal to submit quietly to the practices and laws of Jim Crow racial segregation.
The Harlem Renaissance was instrumental in fostering the "New Negro" movement, an endeavor by African Americans to redefine their identity free from degrading stereotypes. The Neo-New Negro movement further challenged racial definitions, stereotypes, and gender norms and roles, seeking to address normative sexuality and sexism in American society.
The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. [1]
The Harlem Renaissance, also known as the New Negro Movement, was a cultural, social, and artistic explosion centered in Harlem, New York, and spanning the 1920s.This list includes intellectuals and activists, writers, artists, and performers who were closely associated with the movement.
Starting around the time of the end of World War I, Harlem became associated with the New Negro movement, and then the artistic outpouring known as the Harlem Renaissance, which extended to poetry, novels, theater, and the visual arts. The growing population also supported a rich fabric of organizations and activities in the 1920s.
This "New Negro" movement laid the basis for the Garvey movement. It encouraged mass interest in literature and the arts, and paved the way for publication of Alain Locke's well-known The New Negro eight years later. Harrison's mass-based political movement was noticeably different from the more middle-class and apolitical movement associated ...
A Universal Negro Improvement Association parade in Harlem in 1920. A sign on a car says "The New Negro Has No Fear" By 1920 the association had over 1,900 divisions in more than 40 countries. Most of the divisions were located in the United States, which had become the UNIA's base of operations.
Harlem Renaissance and the "New Negro" [ edit ] Locke was the guest editor of the March 1925 issue of the periodical Survey Graphic , for a special edition titled "Harlem, Mecca of the New Negro": about Harlem and the Harlem Renaissance, which helped educate white readers about its flourishing culture. [ 16 ]