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Du Bois was born on February 23, 1868, in Great Barrington, Massachusetts, to Alfred and Mary Silvina Burghardt Du Bois. [3] Mary Silvina Burghardt's family was part of the very small free black population of Great Barrington and had long owned land in the state.
The work then examines the Haitian Revolution, and the effect it had on U.S. slave owners in the American South. Du Bois concludes his work by analyzing the blockade of Africa and the role of slave-produced cotton in the U.S. economy prior to the American Civil War. In 2014 the work was re-introduced with a new introduction by Henry Louis Gates ...
Black Reconstruction in America: An Essay Toward a History of the Part Which Black Folk Played in the Attempt to Reconstruct Democracy in America, 1860–1880 is a history of the Reconstruction era by W. E. B. Du Bois, first published in 1935.
John Brown is a biography written by W. E. B. Du Bois about the abolitionist John Brown.Published in 1909, it tells the story of John Brown, from his Christian rural upbringing, to his failed business ventures and finally his "blood feud" with the institution of slavery as a whole.
The Negro is a book by W. E. B. Du Bois published in 1915 and released in electronic form by Project Gutenberg in 2011. [1] It is an overview of African-American history, tracing it as far back as the sub-Saharan cultures, including Great Zimbabwe, Ghana and Songhai, as well as covering the history of the slave trade and the history of Africans in the United States and the Caribbean.
The W. E. B. Du Bois Boyhood Homesite (or W. E. B. Du Bois Homesite) is a National Historic Landmark in Great Barrington, Massachusetts, commemorating an important location in the life of African American intellectual and civil rights activist W. E. B. Du Bois (1868–1963). The site contains foundational remnants of the home of Du Bois's ...
The groundbreaking for the new W.E.B. DuBois Academy on Wednesday, April 24, 2024. The $62 million building will serve middle and high school boys who learn from an Afrocentric curriculum. The ...
Du Bois heralds the "melody of the slave songs," or the Negro spirituals, as the "articulate message of the slave to the world." They are the music, he contends, not of the joyous black slave, as a good many whites had misread them, but "of an unhappy people, of the children of disappointment; they tell of death and suffering and unvoiced ...