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  2. Shout (Black gospel music) - Wikipedia

    en.wikipedia.org/wiki/Shout_(Black_gospel_music)

    A shout (or praise break) is a kind of fast-paced Black gospel music accompanied by ecstatic dancing (and sometimes actual shouting). It is sometimes associated with "getting happy" . It is a form of worship/praise most often seen in the Black Church and in Pentecostal churches of any ethnic makeup, and can be celebratory, supplicatory ...

  3. Acoustic bass guitar - Wikipedia

    en.wikipedia.org/wiki/Acoustic_bass_guitar

    Like the traditional electric bass and the double bass, the acoustic bass guitar commonly has four strings, which are normally tuned E-A-D-G, an octave below the lowest four strings of the 6-string guitar. Like the electric bass guitar, models with five or more strings have been produced, although these are less common.

  4. Bass note - Wikipedia

    en.wikipedia.org/wiki/Bass_note

    One of the other pitches of the chord is in the bass. This makes it an inverted chord; The bass note is not one of the notes in the chord. Such a bass note is an additional note, coloring the chord above it. Such a chord is also called a slash chord. Examples with bass note in red: C major chord in root position close position (C), open ...

  5. Smackwater Jack (song) - Wikipedia

    en.wikipedia.org/wiki/Smackwater_Jack_(song)

    Perone regards Danny Kortchmar's electric guitar and Ralph Schuckett's electric piano as the most prominent instruments on the song, [5] but Landau showers most praise on Charlie Larkey's bass guitar and Joel O'Brien's drums. [3] Landau regards "Smackwater Jack" as a good example of the effectiveness of Goffin's and King's songwriting ...

  6. Cathedral Quartet - Wikipedia

    en.wikipedia.org/wiki/Cathedral_Quartet

    The Cathedral Quartet, also known as the Cathedrals, was an American southern gospel quartet who performed from 1964 to December 1999. [3] The group's final lineup consisted of Glen Payne (lead), George Younce (bass), Ernie Haase (tenor), Scott Fowler (baritone and bass guitar), and Roger Bennett (piano and rhythm guitar).

  7. Mysterious Ways (song) - Wikipedia

    en.wikipedia.org/wiki/Mysterious_Ways_(song)

    "Mysterious Ways" is played in a 4/4 time signature at a tempo of 99 beats per minute. [11] The introduction to the song, which features the song's well-known guitar hook, consists of "one seventh-fret barre chord, a couple of rhythmic scratches and two notes" played in a key of B ♭. [12]

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