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Touch of Death (Italian: Quando Alice ruppe lo specchio) is a direct-to-video Italian horror film directed by Lucio Fulci. The film was developed as part of a series for direct-to video and television films titled I maestri del thriller which had eight other films in the series.
Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (70 years p.m.a.), Mainland China (50 years p.m.a., not Hong Kong or Macao), Germany (70 years p.m.a.), Mexico (100 years p.m.a.), Switzerland (70 years p.m.a.), and other countries with individual treaties.
The Magic Christmas Tree: Richard C. Parish: 1964 [245] The Magic Sword: Walter R. Booth: 1901 [246] Magic Tree House (Majikku Tsurī Hausu) Hiroshi Nishikiori: 2011 [247] Mahakaal: Shyam Ramsay, Tulsi Ramsay: 1993 [248] Maleficent: Robert Stromberg: 2014 [1] Mark of the Devil (Hexen bis aufs Blut gequält) Michael Armstrong: 1970
Touch of Death is a 1961 black and white British second feature [1] crime film directed by Lance Comfort and starring William Lucas, David Sumner, Ray Barrett and Jan Waters. [2] It was written by Lyn Fairhurst from a story by Aubrey Cash and Wilfred Josephs.
Michael Howard (1948–2015) was an English practitioner of Luciferian witchcraft and a prolific author on esoteric topics. From 1976 until his death he was the editor of The Cauldron magazine. Born in London , Howard developed an interest in supernatural subjects through fiction literature, later exploring Tibetan Buddhism after a near death ...
Alex Sanders (6 June 1926 – 30 April 1988), born Orrell Alexander Carter, [1] who went under the craft name Verbius, [2] was an English occultist and High Priest in the modern Pagan religion of Wicca, responsible for founding, and later developing with Maxine Sanders, the tradition of Alexandrian Wicca, also called Alexandrian Witchcraft, during the 1960s.
Shams al-Ma'arif or Shams al-Ma'arif wa Lata'if al-'Awarif [a] is a 13th-century grimoire centered on Arabic magic by Ahmad al-Buni. It is claimed to be a manual for achieving esoteric spirituality. It is claimed to be a manual for achieving esoteric spirituality.
Herbert Stanley Redgrove claims necromancy as one of three chief branches of medieval ceremonial magic, alongside black magic and white magic. [30] This does not correspond to contemporary classifications, which often conflate "nigromancy" ("black-knowledge") with "necromancy" ("death-knowledge").