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During the Kojiki and Nihonshoki periods the tanka retained a well defined form, but the history of the mutations of the tanka itself forms an important chapter in haiku history, [7] until the modern revival of tanka began with several poets who began to publish literary magazines, gathering their friends and disciples as contributors.
Ki no Tomonori by Kikuchi Yōsai Ki no Tomonori by Kanō Tan'yū, 1648. Ki no Tomonori (紀 友則, c. 850 – c. 904) was an early Heian waka poet of the court and a member of the sanjūrokkasen or Thirty-Six Poetry Immortals.
"Isang Bansa, Isang Diwa" was adopted on June 9, 1978 by virtue of Presidential Decree No. 1413, [4] a key element in Marcos's vision of building his "New Society".When the new motto was finally unveiled three days later on Independence Day during the 1978 State of the Nation Address, Marcos claimed that it was imperative for the nation to build a united though diverse political community.
First Prize: Glecy C. Atienza, “Ang Pagdadalaga ng mga Batang Taludtod” Second Prize: Roland Tolentino, “Ang Mito ng Pagkalalaki ni Richard Gomez” Third Prize: Omer Oscar Almenario, “Talaarawan ng Isang Galang Peryodista”
Shiki is regarded as a major figure in the development of modern haiku poetry, [3] credited with writing nearly 20,000 stanzas during his short life. [4] He also wrote on reform of tanka poetry. [5] Some consider Shiki to be one of the four great haiku masters, the others being Matsuo Bashō, Yosa Buson, and Kobayashi Issa. [6] [7]
Santōka Taneda (種田 山頭火, Taneda Santōka, December 3, 1882 – October 11, 1940) was the pen-name of Shōichi Taneda (種田 正一, Taneda Shōichi), a Japanese author and haiku poet. He is known for his free verse haiku—a style which does not conform to the formal rules of traditional haiku.
First Prize: Ariel Dim. Borlongan, "Malulungkot na Taludtod" Second Prize: Josephine Barrios, "Babae Akong Namumuhay Mag-isa" Third Prize: Romulo P. Baquiran Jr., "Mga Pangarap at Bangungot na Di Malimot" Benilda S. Santos, "Sa Pakpak ng Balse ni Strauss"
In the time of the Man'yōshū (compiled after 759 AD), the term "tanka" was used to distinguish "short poems" from the longer chōka (長歌, "long poems").In the ninth and tenth centuries, however, notably with the compilation of the Kokin Wakashū, the short poem became the dominant form of poetry in Japan, and the originally general word waka (和歌, "Japanese poem") became the standard ...