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In literature, pace or pacing is the speed at which a story is told—not necessarily the speed at which the story takes place. [ 1 ] [ 2 ] [ 3 ] It is an essential element of storytelling that plays a significant role in maintaining reader interest, building tension, and conveying the desired emotional impact. [ 4 ]
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Primary, alternate, contingency and emergency (PACE) is a methodology used to build a communication plan. [1] The method requires the author to determine the different stakeholders or parties that need to communicate and then determine, if possible, the best four, different, redundant forms of communication between each of those parties ...
Story is a sequence of events, which can be true or fictitious, that appear in prose, verse or script, designed to amuse or inform an audience. [1] Story structure is a way to organize the story's elements into a recognizable sequence. It has been shown to influence how the brain organizes information. [2]
Philosophers/critics who have discussed story structure include Aristotle, Horace, Aelius Donatus, Gustav Freytag, Kenneth Thorpe Rowe, Lajos Egri, Syd Field, and others. Some story structures are so old that the originator cannot be found, such as Ta'zieh. Often in order to sell a script, the plot structure is made into what is called a treatment.
Transitions in fiction are words, phrases, sentences, paragraphs, or punctuation that may be used to signal various changes in a story, including changes in time, location, point-of-view character, mood, tone, emotion, and pace. [1] [2] Transitions are sometimes listed as one of various fiction-writing modes.
Narrative is also linked to language. The way a story can be manipulated by a character, or in the display of medium contributes to how a story is seen by the world. [22] Narratology, as defined by Shlomith Rimmon-Kenan, is a branch of narrative theory. The concept of narratology was developed mainly in France during the sixties and seventies. [22]
Writing a plot summary is a similar process—you take a long work, and you cut out as much as possible. The question is, what do you cut? The basic structure of many narrative plots includes a lengthy middle section during which characters repeatedly get in and out of trouble on their way to the climactic encounter.