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Other decorative arts such as architecture, ceramics, silver, and textiles could also feature elements of the William and Mary style. The design movement had an extremely positive impact on the craftsmanship and quality of British furniture. [7] The William and Mary style was a transitional style between Mannerist and Queen Anne furniture. [4]
English furniture has developed largely in line with styles in the rest of northern Europe, but has been interpreted in a distinctive fashion.There were significant regional differences in style, for example between the North Country and the West Country.
In Maryland, Virginia, and the Carolinas, a style called "Southern Colonial" is recognized, characterized by the hall and parlor and central-passage house types, which often had large chimneys projecting from the gable-ends of the house. In the Delaware Valley, Swedish colonial settlers introduced the log cabin to America.
The designs used in England were more dense than the open designs found in colonial America, and many used a wider range of stitches. Thread was hard to get in Colonial America, and so it was not used where it would not show. Colonial bed hangings used stitches where most of the wool is visible on the front, and not wasted on the back.
Thomas Chippendale (June 1718 – 1779) was an English woodworker in London, designing furniture in the mid-Georgian, English Rococo, and Neoclassical styles. In 1754 he published a book of his designs in a trade catalogue titled The Gentleman and Cabinet Maker's Director—the most important collection of furniture designs published in England to that point which created a mass market for ...
[12] [6] Cabriole legs were influenced by the designs of the French cabinetmaker André-Charles Boulle [13] and the Rococo style from the French court of Louis XV. [14] But the intricate ornamentation of post-Restoration furniture was abandoned in favor of more conservative designs, possibly under the influence of the simple and elegant lines ...
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
This design was in many ways rooted in necessity and emphasizes both form and materials. Early British Colonial American [vague] chairs and tables are often constructed with turned spindles and chair backs often constructed with steaming to bend the wood. Wood choices tend to be deciduous hardwoods with a particular emphasis on the wood of ...
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