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Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide The following is a list of ... 0 4 7 t 2 5 9: Major Dream chord:
FastTracker 2 (also referred to as FastTracker II) is a music tracker created by Fredrik "Mr. H" Huss and Magnus "Vogue" Högdahl, two members of the demogroup Triton (who later founded Starbreeze Studios) who set about releasing their own tracker after breaking into the scene in 1992 and winning several demo competitions.
In 1846, Lassell discovered Triton, the largest moon of Neptune, just 17 days after the discovery of Neptune itself by German astronomer Johann Gottfried Galle, using his self-built instrument. [8] [9] [10] In 1848, he independently co-discovered Hyperion, a moon of Saturn. [9] [11] In 1851 he discovered Ariel and Umbriel, two moons of Uranus.
In music theory, the tritone is defined as a musical interval spanning three adjacent whole tones (six semitones). [1] For instance, the interval from F up to the B above it (in short, F–B) is a tritone as it can be decomposed into the three adjacent whole tones F–G, G–A, and A–B.
Since it is the dominant chord a tritone away, the substitute dominant may resolve down a fifth, to a tonic chord a tritone away from the previous tonic (for example, in F one may feature a ii–V on C, which with a substitute dominant resolves to G ♭, a distant key from F). Resolution from the substituted chord to the original tonic is also ...
Triton (/ ˈ t r aɪ t ɒ n /; Ancient Greek: Τρίτων, romanized: Trítōn) is a Greek god of the sea, the son of Poseidon and Amphitrite. Triton lived with his parents in a golden palace on the bottom of the sea. Later he is often depicted as having a conch shell he would blow like a trumpet. [citation needed]
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression, also known as the four-chord progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale.
In a jazz band, these chord changes are usually played in the key of B ♭ [7] with various chord substitutions.Here is a typical form for the A section with various common substitutions, including bVII 7 in place of the minor iv chord; the addition of a ii–V progression (Fm 7 –B ♭ 7) that briefly tonicizes the IV chord, E ♭; using iii in place of I in bar 7 (the end of the first A ...