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"Nothing Gold Can Stay" is a short poem written by Robert Frost in 1923 and published in The Yale Review in October of that year. It was later published in the collection New Hampshire (1923), [ 1 ] which earned Frost the 1924 Pulitzer Prize for Poetry .
Illustration by Eleanor Fortescue-Brickdale. First published as number 208 in the verse collection Hesperides (1648), the poem extols the notion of carpe diem, a philosophy that recognizes the brevity of life and the need to live for and in the moment.
Nothing Gold Can Stay may refer to: "Nothing Gold Can Stay" (poem), a poem by American poet Robert Frost; Nothing Gold Can Stay, a 1999 album by New Found Glory; Nothing Gold Can Stay (short story collection), a 2013 short story collection by Ron Rash; Episode 11 of Containment in 2016, named after the Frost poem
Night closes round, and they are lost forever: Or like forgotten lyres, whose dissonant strings Give various response to each varying blast, To whose frail frame no second motion brings One mood or modulation like the last. We rest.—A dream has power to poison sleep; We rise.—One wandering thought pollutes the day;
"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...
In Greek Mythology, when Oedipus was confronted by the Riddle of the Sphinx, "dawn" was compared to youth, while "day" was compared to middle-age. In that, Frost means to convey that youth will fade just as the sun goes from dawn to day. "Nothing gold can stay" — Nothing can stay young and beautiful forever.
Longfellow wrote the poem shortly after completing lectures on German writer Johann Wolfgang von Goethe and was heavily inspired by him. He was also inspired to write it by a heartfelt conversation he had with friend and fellow professor at Harvard University Cornelius Conway Felton; the two had spent an evening "talking of matters, which lie near one's soul:–and how to bear one's self ...
"It is a beauteous evening, calm and free" is a sonnet by William Wordsworth written at Calais in August 1802. It was first published in the collection Poems, in Two Volumes in 1807, appearing as the nineteenth poem in a section entitled 'Miscellaneous sonnets'.