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Human emotions are subject to time, space, and circumstance. God's emotions are always in keeping with God's character as described by the scriptures and in the person of Jesus Christ, according to Christian scholars and the Bible. A few examples are found in Genesis, chapter 8, in the account of the Flood.
When personified, Metanoia was a figure of unclear description who accompanied Kairos, the god of Opportunity, and ultimately inspired human individuals to deep changes in their normal consciousness modes; a feeling of personal regret would provide the emotional catalyst to approach life with a substantially different perspective.
Righteous indignation, also called righteous anger, is anger that is primarily motivated by a perception of injustice or other profound moral lapse.It is distinguished from anger that is prompted by something more personal, like an insult.
Apophatic theology, also known as negative theology, [1] is a form of theological thinking and religious practice which attempts to approach God, the Divine, by negation, to speak only in terms of what may not be said about the perfect goodness that is God.
This set of emotions generally produces maladaptive behaviour. [1] [2] Other authors define contempt as a negative emotion rather than the constellation of mentality and feelings that produce an attitude. Paul Ekman categorises contempt as the seventh basic emotion, along with anger, disgust, fear, happiness, sadness and surprise.
For example, a positive valence would shift the emotion up the top vector and a negative valence would shift the emotion down the bottom vector. [11] In this model, high arousal states are differentiated by their valence, whereas low arousal states are more neutral and are represented near the meeting point of the vectors.
Examples of negative moral emotions include shame, guilt, and embarrassment. [11] There is a debate whether there is a set of basic emotions or if there are "scripts or set of components that can be mixed and matched, allowing for a very large number of possible emotions". [2]
For example, Bertolt Brecht viewed catharsis as a pap (pabulum) for the bourgeois theatre audience, and designed dramas which left significant emotions unresolved, intending to force social action upon the audience. Brecht then identified the concept of catharsis with the notion of identification of the spectator, meaning a complete adhesion of ...