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Snow at Argenteuil (French: Rue sous la neige, Argenteuil) is an oil-on-canvas landscape painting by the Impressionist artist Claude Monet.It is the largest of no fewer than eighteen works Monet painted of his home commune of Argenteuil while it was under a blanket of snow during the winter of 1874–1875.
By the last quarter of the century, manuscripts of the Ghent–Bruges school often include a set, including two or three winter scenes for the coldest months, some with a snowy landscape. The snowy landscape as a genre in painting really begins in the 1560's with five paintings by Pieter Bruegel the Elder made between 1563 and perhaps 1567.
The Shortening Winter's Day is near a Close; Skaters in the Bois de Boulogne; Sledging on the Neva; Snow at Argenteuil; Snow Storm: Hannibal and his Army Crossing the Alps; Snow Storm: Steam-Boat off a Harbour's Mouth; A Sorcerer Comes to a Peasant Wedding; Stalingrad (painting) Stetind in Fog; Suvorov crossing the Alps
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Winter Landscape with a Bird Trap, also known as The Bird Trap, is a panel painting in oils by the Flemish painter Pieter Bruegel the Elder, from 1565, now in the Oldmasters Museum in Brussels. It shows a village scene where people skate on a frozen river, while on the right among trees and bushes, birds gather around a bird trap .
George Henry Durrie self-portrait, 1843 [1]. George Henry Durrie (June 6, 1820 – October 15, 1863) was an American landscape artist noted especially for his rural winter snow scenes, which became very popular after they were reproduced as lithographic prints by Currier and Ives.
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The Hunters in the Snow (Dutch: Jagers in de Sneeuw), also known as The Return of the Hunters, is a 1565 oil-on-wood painting by Pieter Bruegel the Elder.The Northern Renaissance work is one of a series of works, five of which still survive, that depict different times of the year.