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Like Dylan's previous two studio albums, Triplicate features covers of classic American songs recorded live with his touring band and without the use of overdubs. [2] The album is Dylan's first three-disc album, featuring thirty songs across its three discs, each individually titled and presented in a thematically-arranged 10-song sequence. [3]
"Hypnotized" is a song by Italian-American electronic musician and DJ Anyma and English singer-songwriter Ellie Goulding. [2]Anyma debuted the track during his set at the Sphere residency in Las Vegas, which included visuals of Goulding's face projected in the sphere.
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youtube-dl is a free and open source software tool for downloading video and audio from YouTube [3] and over 1,000 other video hosting websites. [4] It is released under the Unlicense software license. [5] As of September 2021, youtube-dl is one of the most starred projects on GitHub, with over 100,000 stars. [6]
"Five Hours" is a 2014 single by Mexican-American DJ Deorro that appeared in a great number of dance compilations in 2014. The song charted in a number of countries and notably reached number 8 on SNEP official French Singles Chart.
Modern Times is the thirty-second studio album by American singer-songwriter Bob Dylan, released on August 29, 2006, by Columbia Records.The album was the third work (following Time Out of Mind and "Love and Theft") in a string of critically acclaimed albums by Dylan.
"Hrs and Hrs" is an R&B song detailing her love for someone. It became Long's first song to chart on the Billboard Hot 100, peaking at number 16. [2] The song also topped the R&B Songs chart, becoming the first single by an independent female artist to top the chart. [3] The song's success earned her a record deal from Def Jam Recordings in ...
The song, in both the studio version and in live performances, is considered to feature some of Dylan's most passionate vocals. The original studio recording, for instance, was cited by Dylan's biographer Clinton Heylin as “perhaps Dylan’s strongest studio vocal since ‘Visions of Johanna’" in 1966, while Dylan scholar Tony Attwood refers to a live version from 1980 as "the one Dylan ...