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The women's skirts were characterized with high waistline which created a silhouette which looked similar to the Empire dresses of Napoleonic France; however, the construction of the assemble differed from the ones worn in Western countries as Han Chinese women assemble consisted of a separate skirt and upper garment which show low décolletage.
Cheongsam (UK: / tʃ (i) ɒ ŋ ˈ s æ m /, US: / tʃ ɔː ŋ ˈ s ɑː m /) or zansae, also known as the qipao (/ ˈ tʃ iː p aʊ /) and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the qizhuang, the ethnic clothing of the Manchu people.
Two women wearing cheongsam in a 1930s Shanghai advertisement. The cheongsam is a body-hugging (modified in Shanghai) one-piece Chinese dress for women; the male version is the changshan. It is known in Mandarin Chinese as the qípáo (旗袍; Wade-Giles ch'i-p'ao), and is also known in English as a mandarin gown.
A common clothing for women. Pre-Qin – Modern Ǎoqún/ Shānqún. 袄裙/衫裙 A short coat with a long skirt underneath. A common clothing for women. Han – Modern Zhíduō: 直裰 Straight robe. Similar to zhiju but with vents at sides and cuffed sleeves. A common attire for men. [5] [6] Tang – Ming Modern Dàopáo: 道袍 Taoist robe.
In the Song dynasty, some scholar officials, such as Sima Guang, advocated that women should cover their faces when going out. [4] The weimao-style hat was revived in the 10th century when women started to wear mianyi (Chinese: 面衣; lit. 'veil or facial covering'), which was also known as gaitou (Chinese: 蓋頭; lit. 'head cover') by the common people. [3]
The first instances of kimono-like garments in Japan were traditional Chinese clothing introduced to Japan via Chinese envoys in the Kofun period (300–538 CE; the first part of the Yamato period), through immigration between the two countries and envoys to the Tang dynasty court leading to Chinese styles of dress, appearance, and culture becoming extremely popular in Japanese court society. [1]
According to Chinese legends and mythology, the sanzuwu lived on the sun and was perceived as the envoy who operated the sun; since the ancient Chinese people worshipped the sun, the sanzuwu was worshipped as a symbol of happiness and comfort. [12] The sanzuwu is one of the Twelve Ornaments, which adorn the Emperor's imperial robe. [12]
As a set of attire, the ruqun was worn by both men and women; [2] [5]: 48–50 [6]: 47–50, 54 it was however primarily worn by women. [8] It is the traditional Hanfu for the Han Chinese women. [9] The aoqun and/or ruqun is the most basic set of clothing of Han Chinese women in China and has been an established tradition for thousands of years.
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