Search results
Results from the WOW.Com Content Network
For the ordinary diatonic scales described here, the T-s are tones and the s-s are semitones which are half, or approximately half the size of the tone.But in the more general regular diatonic tunings, the two steps can be of any relation within the range between T = 171.43 ¢ (for s = T at the high extreme) and T = 240 ¢ (for s = 0 at the low extreme) in musical cents (fifth, p5, between 685 ...
31 EDO on the regular diatonic tuning continuum at p5 = 696.77 cents [1]. In music, 31 equal temperament, 31 ET, which can also be abbreviated 31 TET (31 tone ET) or 31 EDO (equal division of the octave), also known as tricesimoprimal, is the tempered scale derived by dividing the octave into 31 equally-proportioned steps (equal frequency ratios).
12 tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. An equal temperament is a musical temperament or tuning system that approximates just intervals by dividing an octave (or other interval) into steps such that the ratio of the frequencies of any adjacent pair of notes is the same.
The most widely known example of this is the use of equal temperament to address problems of older temperaments, allowing for consistent tuning of keyboard and fretted instruments and enabling musical composition in, and modulation among, the various keys.
Major-thirds tuning is a regular tuning in which the musical intervals between successive strings are each major thirds. [ 29 ] [ 30 ] [ 31 ] Unlike all-fourths and all-fifths tuning, major-thirds tuning repeats its octave after three strings, which again simplifies the learning of chords and improvisation.
For example, ♭ VII is a major chord built on the seventh scale degree, indicated by capital Roman numerals for seven. There are common subsets including i– ♭ VII– ♭ VI, i–iv–v and blues minor pentatonic derived chord sequences such as I– ♭ III–IV, I–IV, ♭ VII (The verse of " I'm Your Man "). [ 11 ]
For example, Easley Blackwood, author of The Structure of Recognizable Diatonic Tunings (1985), wrote many etudes in equal temperament systems ranging from 12 to 24 tones. These etudes bring out connections and resemblances to twelve-tone music as well as various xenharmonic characteristics, reflected in Twelve Microtonal Etudes for Electronic ...
Solo tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion) to fit a pattern where blow notes repeat a sequence of C E G C (perhaps shifted to begin with E or with G) and draw notes follow a repeating sequence of D F A B (perhaps correspondingly shifted).