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1953 Fender Champ in tweed covering. The Fender Champ was a guitar amplifier made by Fender. It was introduced in 1948 and discontinued in 1982. [1] An updated version was introduced in 2006 as part of the "Vintage Modified" line. The Champ had the lowest power output and the simplest circuit of all Fender tube amps.
The Fender Blues Deluxe and Blues DeVille and their later reissues were also available in tweed, [6] as well as the Custom Shop reissues of several of the Tweed Era amplifiers. In 2012, Fender introduced its first "Signature series"; Eric Clapton helped design the "EC" series of three amplifiers, including the Vibro-Champ, based on the five ...
Fender amplifiers would become favorites of guitarists like Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, also known in these cases for playing Fender guitars. Fender amps have come in many configurations and styles. The early K&F and Fender amplifiers relied upon vacuum tube circuitry, with solid-state models appearing in the late 1960s ...
Fender Bronco [10] (Lives on through Squier as a bass guitar) Fender Bullet [11] (lives on through Squier) Fender Coronado [12] Fender Cyclone (lives on through Squier) Fender Esquire; Fender HM Strat USA/Japan; Fender Marauder; Fender Musicmaster; Fender Performer; Fender Prodigy [13] Fender Showmaster; Fender Starcaster [14] (lives on through ...
In 2007–2011, Fender's Custom Shop division made an authentic recreation of the 5E3 Deluxe. Handwired point-to-point and with custom made transformers based on the 1957 specification it was dubbed the Fender '57 Deluxe Amp. This is the first time Fender made a reproduction of the Tweed Deluxe.
The "Tweed" 5F10 model, [2] launched in 1955, but not in time for the Fender catalog of that year, [3] was a 10-watt amplifier utilising a 6AV6 (from 1956 a 6AT6) preamplifier tube, 12AX7 phase inverter tube, [note 1] a pair of 6V6GT power amplifier tubes, and one 5Y3GT rectifier tube, [4] with a Jensen P10R 10-inch speaker. The amplifier had a ...
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The Princeton circuits up through 5C2 differed from the Fender Champ in having two versus one preamp stage (6SC7 dual-triode vs 6SJ7 pentode) and added the tone control that was absent in the Champs; the 12AX7-based Princeton models 5D2 through 5F2-A were essentially the Champ circuits 5D1 through 5F1 with a tone control and a somewhat larger ...
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