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Cotton paper is typically graded as 25%, 50%, or 100% cotton. Usually it can be checked by holding the cotton paper up to the light and looking just below the watermark for a number. 100% cotton paper may contain small amounts of acids, and should be tested or certified before use for archival documents.
For dye sublimation transfer paper, fabrics historically had to be white or light in color. 100% polyester, poly/cotton mix (the garment should be at least 50% polyester) microfibre and nylon can all be used. This printing process turns solid ink into a gas, avoiding a liquid stage.
The albumen seals the paper and creates a slightly glossy surface for the sensitizer to rest on. The paper is then dipped in a solution of silver nitrate and water which renders the surface sensitive to UV light. The paper is then dried in the absence of UV light. The dried, prepared paper is placed in a frame in direct contact under a negative.
Hanging by a Thread: Cotton, Globalization and Poverty in Africa (Ohio University Press and Nordic Africa Press, 2008). ISBN 978-0-89680-260-5; Riello, Giorgio (2013). Cotton: The Fabric that Made the Modern World. Cambridge University Press. ISBN 978-1-107-00022-3. Smith, C. Wayne and Joe Tom Cothren.
Indians use resist-dyeing with cotton fabrics. Initially, wax and even rice starch were used for printing on fabrics. Until recently batik was made only for dresses and tailored garments, but modern batik is applied in numerous items, such as murals, wall hangings, paintings, household linen, and scarves, with livelier and brighter patterns.
Textile fibers, threads, yarns and fabrics are measured in a multiplicity of units.. A fiber, a single filament of natural material, such as cotton, linen or wool, or artificial material such as nylon, polyester, metal or mineral fiber, or human-made cellulosic fibre like viscose, Modal, Lyocell or other rayon fiber is measured in terms of linear mass density, the weight of a given length of ...
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