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The Kesh temple hymn, Liturgy to Nintud, or Liturgy to Nintud on the creation of man and woman, is a Sumerian tablet, written on clay tablets as early as 2600 BCE. [1] Along with the Instructions of Shuruppak , it is the oldest surviving literature in the world.
The Zame Hymns are the oldest known collection of Mesopotamian hymns, and have been dated to Early Dynastic IIIa period. [6] More precise dating is not possible. [5]Alongside compositions from Fara discovered in 1902 and 1903, the Zame Hymns have been described by Robert D. Biggs as "testimonies of the first great flowering of Sumerian literature". [7]
The Hymn to Enlil, Enlil and the Ekur (Enlil A), Hymn to the Ekur, Hymn and incantation to Enlil, Hymn to Enlil the all beneficent or Excerpt from an exorcism is a Sumerian myth, written on clay tablets in the late third millennium BC.
Hymns to deities in the Sumerian pantheon, such as the Hymn to Enlil, as well as Hymns dedicated to specific cities or temples, including the Zame Hymns, the Temple Hymns and the Kesh Temple Hymn Disputation poems
This was translated by George Aaron Barton in 1918 and first published as "Sumerian religious texts" in "Miscellaneous Babylonian Inscriptions", number three, entitled "Hymn to Dungi" (Dungi was later renamed to Shulgi). [1] The tablet is 7 inches (18 cm) by 5.4 inches (14 cm) by 1.6 inches (4.1 cm) at its thickest point. [2]
A Hymn to Enlil praises the leader of the Sumerian pantheon in the following terms: You founded it in the Dur-an-ki, in the middle of the four quarters of the earth. Its soil is the life of the Land, and the life of all the foreign countries. Its brickwork is red gold, its foundation is lapis lazuli. You made it glisten on high. [28]
Hurrian Hymn No. 6, the "Hymn to Nikkal", is considered to be the oldest surviving substantially complete written music in the world. [136] At least five interpretations of this tablet have been made in an attempt to reconstruct the music, [137] notably by Anne Draffkorn Kilmer, Marcelle Duchesne-Guillemin, Raoul Vitale, and others.
Balbale (from Sumerian bal "change") is a Sumerian form of poem, a kind of changing songs. Most of Tammuz and Enkimdu (an adamanduga) consists of changes like this.There’s a reference to balbale in the colophon of the poem, though it also may refer to the dialogue form of the writing.