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[45] [46] Jews during the Greco-Roman period maintained negative attitudes towards nudity, both as a temptation for illicit sexuality and a distraction from the life of holiness. [47] Ancient Roman attitudes toward male nudity differed from those of the Greeks, whose ideal of masculine excellence was expressed by the nude male body in art and ...
In the French field, Nicolas Poussin, an artist of a serene classicism, was perhaps the inaugurator of the academic nude, for being cultured and idealized, based on the representation in images of the erudite culture that had mythology and ancient history as its thematic base. Of Raphaelesque influence, he was interested in anatomy, elaborating ...
Restored North Entrance with charging bull fresco of the Palace of Knossos (), with some Minoan colourful columns. The first great ancient Greek civilization were the Minoans, a Bronze Age Aegean civilization on Crete and other Aegean Islands, that flourished from c. 3000 BC to c. 1450 BC and, after a late period of decline, finally ended around 1100 BC during the early Greek Dark Ages.
The ancient Theran artists made full use of their colors: yellow was used for the golden fur of lions or the skin of youths, and as a stand-in for light green for painted plants such as myrtle. Blue was used as a dark gray to indicate birds, animal pelts, fish scales, and the shaven heads of young figures.
He wrote in 1898: "The Greek forms appealed to me, as did the bronze-hued descendants of the ancient Hellenes, and I attempted to resurrect the old, classic life in pictures...The models usually remained merry and cheerful, lightly clad and at ease in the open air, striding forward to the accompaniment of flutes and animated chatter.
The History of Greek photography began with travellers from Canada and Europe to Greece. Pierre Gustave Joly de Lotbiniere (1798–1865, Canadian) and Joseph-Philibert Girault de Prangey (1804–1892, French) were among the examples of persons who came to Greece and took photographs of Greece (daguerreotypes) in 1830s or 1840s.
The work represents an early use of foreshortening and three-quarter views of figures in Greek vase-painting, breaking with earlier conventions of employing profile and frontal views. It was excavated in 1829 by Lucien Bonaparte from the Etruscan Tomb of the Cuccumella [ fr ] at Vulci in Italy, and is currently held in the Staatliche ...
Imagines (Ancient Greek: Εἰκόνες, romanized: Eikones, "Images") is the Latin title of two works in ancient Greek by two authors, both named Philostratus, describing and explaining various artworks.