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The Baal Cycle consists of six tablets, itemized as KTU 1.1–1.6. Tablets one (KTU 1.1) and two (KTU 1.2) are about the cosmic battle between the storm-god Baal and the sea god Yam, where the former attains victory. The next two tablets (KTU 1.3–1.4) describe the construction of Baal's palace that marks his cosmic kingship.
The Baal Cycle, the most famous of the Ugaritic texts, [1] displayed in the Louvre. The Ugaritic texts are a corpus of ancient cuneiform texts discovered in 1928 in Ugarit (Ras Shamra) and Ras Ibn Hani in Syria, and written in Ugaritic, an otherwise unknown Northwest Semitic language. Approximately 1,500 texts and fragments have been found to date.
The latter two are also known collectively as the Baal Cycle. All reveal aspects of ancient Northwest Semitic religion. All reveal aspects of ancient Northwest Semitic religion. Edward Greenstein has proposed that Ugaritic texts might help solve biblical puzzles such as the anachronism of Ezekiel mentioning Daniel in Ezekiel 14:13–16 [ 11 ...
The Baal Cycle or Epic of Baal is a collection of stories about the Canaanite Baal, also referred to as Hadad. It was composed between 1400 and 1200 B.C. and rediscovered in the excavation of Ugarit , an ancient city in modern-day Syria .
In the Baal Cycle, he creates the weapons Baal uses in his battle against Yam [71] and later builds his palace. [72] In the Epic of Aqhat, he is the creator of the bow of the eponymous hero. [73] Kotharat: kṯrt [74] Kotharat were a group of seven goddesses regarded as divine midwives. [69]
[4] This version, discovered after the Akkadian version, is of a more archaic provenance. It was composed circa 1700 BCE, although the precise date of its origin remains uncertain. [5] In the early 20th century, epigraphists painstakingly pieced together the text from numerous tablet fragments unearthed in Nippur. [6]
The remains of the story are found on three clay tablets, missing the beginning and end of the story. [7] These tablets were discovered in 1930 and 1931. [1] The Tale of Aqhat was recorded at Ugarit by the high priest Ilmilku, who was also the author of the Legend of Keret and the Baal Cycle. [8]
Pidray is the best attested of the Ugaritic goddesses regarded as daughters of Baal. [7] [4] It is sometimes assumed that she formed a triad with his other daughters, Tallay and Arsay, [4] though this view has been criticized by Steve A. Wiggins, who points out that Arsay appears with the other two goddesses only once in the entire text corpus, in a passage from the Baal Cycle in which Baal ...