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Allusion is an economical device, a figure of speech that uses a relatively short space to draw upon the ready stock of ideas, cultural memes or emotion already associated with a topic. Thus, an allusion is understandable only to those with prior knowledge of the covert reference in question, a mark of their cultural literacy. [8]
Utamakura is a category of poetic words, often involving place names, that allow for greater allusions and intertextuality across Japanese poems. Utamakura enables poets to express ideas and themes concisely—thus allowing them to stay in the confines of strict waka structures.
Because poetry in Japan was often written for utaawase, or poetry competitions, a “good” poem was not merely one that expressed emotions in a unique and beautiful way. Rather, poets were judged on their mastery of using their knowledge of existing poems and the way in which they placed honkadori and other poetic tropes into their poems.
In terms of English language rhetoric, an allusion is the implicit referencing of a related object or circumstance which has occurred/existed in an external context. An allusion is understandable only to those with prior knowledge of the reference in question (which the writer assumes to be so). Allusions are structurally related to idioms.
Like many of Eliot's poems, "The Love Song of J. Alfred Prufrock" makes numerous allusions to other works, which are often symbolic themselves. In "Time for all the works and days of hands" (29) Works and Days is the title of a long poem – a description of agricultural life and a call to toil – by the early Greek poet Hesiod. [27]
Much like a few of Poe's other poems (such as "The Raven", "Annabel Lee", and "Lenore"), "Ulalume" focuses on the narrator's loss of his beloved due to her death. Poe originally wrote the poem as an elocution piece and, as such, the poem is known for its focus on sound. Additionally, it makes many allusions, especially to mythology, and the ...
She is currently a poetry and comparative literature professor at Tel Aviv University. Her academic work includes a focus on cognitive intertextuality, cultural memory, and cultural representations. Ben-Porat also works on CULTOS, a digital library of multimedia linked on the basis of their intertextual relations.
The title, Ryōunshū, is an allusion to poetry so great that it soars higher than the clouds. The preface also gives the title as Ryōun Shinshū ( 凌雲新集 ) , describing it as a "new collection".