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In visual art, horror vacui (Latin for 'fear of empty space'; UK: / ˌ h ɒ r ə ˈ v æ k j u aɪ /; US: /-ˈ v ɑː k-/), or kenophobia (Greek for 'fear of the empty'), [1] is a phenomenon in which the entire surface of a space or an artwork is filled with detail and content, leaving as little perceived emptiness as possible. [2]
In modern interpretations of traditional Japanese arts and culture, ma is an artistic interpretation of an empty space, often holding as much importance as the rest of an artwork and focusing the viewer on the intention of negative space in an art piece. The concept of space as a positive entity is opposed to the absence of such a principle in ...
Horror vacui (art), a concept in art approximately translated from Latin fear of empty spaces; Horror vacui (physics), a physical postulate; Horror Vacui, a 1984 German satirical film; Horror Vacui, by Linea 77; Horror Vacui, a composition by Jonny Greenwood
In art and design, negative space is the empty space around and between the subject(s) of an image. [1] Negative space may be most evident when the space around a subject, not the subject itself, forms an interesting or artistically relevant shape, and such space occasionally is used to artistic effect as the "real" subject of an image.
The vast, empty spaces in the painting create a sense of loneliness and isolation. [2] Michael R. Taylor observes that Dog Barking at the Moon reflects Miró's memories of his native Catalan landscape and writes that the painting "exemplifies [Miró's] sophisticated blend of pictorial wit and abstraction".
In the 1870s, Brumidi was hired to paint scenes in many of the empty spaces, but his progress was limited by lack of time and funds. Some of the blank areas in the north corridor have been filled by later artists. Around 1930, an unknown artist portrayed the Wright Flyer, the Wright Brothers' airplane, and Charles Lindbergh's Spirit of St. Louis.
Sun in an Empty Room is a 1963 painting by American realist Edward Hopper (1882–1967). Created during his late period at his Cape Cod summer home and studio in South Truro, Massachusetts , the painting was completed just four years prior to his death at the age of 84.
The creepypasta showed an image exemplifying a liminal space—a hallway with yellow carpets and wallpaper—with a caption purporting that by "noclipping out of bounds in real life", one may enter the Backrooms, an empty wasteland of corridors with nothing but "the stink of old moist carpet, the madness of mono-yellow, the endless background ...
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