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In visual art, horror vacui (Latin for 'fear of empty space'; UK: / ˌ h ɒ r ə ˈ v æ k j u aɪ /; US: /-ˈ v ɑː k-/), or kenophobia (Greek for 'fear of the empty'), [1] is a phenomenon in which the entire surface of a space or an artwork is filled with detail and content, leaving as little perceived emptiness as possible. [2]
The Geometry of Fear exhibition was well received, both within and outside Britain. Alfred Barr, the former director of the New York Museum of Modern Art, spoke highly of the sculptors and bought work by three of them – Robert Adams, Reg Butler and Lynn Chadwick – for the museum; [3] he described the exhibition as "the most distinguished national showing of the Biennale".
Paranoiac-critical method is a technique invented by Salvador Dalí which consists of the artist invoking a paranoid state (fear that the self is being manipulated, targeted or controlled by others). The result is a deconstruction of the psychological concept of identity, such that subjectivity becomes the primary aspect of the artwork.
An abbreviated example of an exposure hierarchy is pictured in Image 1. Image 1: Exposure hierarchy example for treating public speaking fears. When exposure to an item at the bottom of the hierarchy leads to moderately reduced distress or increased tolerance, a client progresses up the hierarchy to more and more difficult exposures.
Austin Harrington outlines in his book Art and Social Theory six ways in which art can be approached from a sociological standpoint: 1) humanistic historic approach, 2) Marxist social theory, 3) cultural studies, 4) theory of art in analytical philosophy, 5) anthropological studies of art, and 6) empirical studies of contemporary art institutions (Harrington, 15).
Adrien Brody, Kieran Culkin, Colman Domingo, Peter Sarsgaard, Sebastian Stan and Jeremy Strong dive into their films, truth-telling and acting alongside your director.
Degenerate art was a term adopted by the Nazi regime in Germany for virtually all modern art. [141] Such art was banned because it was un-German or Jewish Bolshevist in nature, and those identified as degenerate artists were subjected to sanctions. These included being dismissed from teaching positions, being forbidden to exhibit or to sell ...
This fact is at odds with modern critiques of fairy tales; that "Happily ever after" often involves a man saving a helpless woman; that Disney princesses and their Grimm-penned counterparts are tame and silent compared with their princely other halves; that the stories embrace violence but never mention the more feminine grittiness of pregnancy ...