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A minor. In sonata form without development. The exposition begins with A minor and modulates to E major. The recapitulation begins in E minor and moves to A major, in which the movement ends. [1] The work takes approximately 25 minutes to perform. [2] Daniel Coren has summarised the nature of the recapitulation in the last movement of this ...
[1] 15 sonatas — numbering of the piano sonatas according to Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe – Serie 10: Sonaten für Pianoforte (Leipzig: Breitkopf & Härtel, 1888), the first publication that claimed to print the complete set of Schubert's piano sonatas. The Deutsch catalogue was yet to be created, so there ...
The following two editions of Schubert's piano sonatas are incomplete and abstain from providing a numbering system: Edition Peters – Sonaten für Klavier zu 2 Handen (Leipzig: C.F. Peters, 1970-1974): an edition in two volumes that includes eleven complete sonatas (D 537, D 568 2nd version, D 575, D 664, D 784, D 845, D 850, D 894, D 958, D ...
Legend to the table column content 1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951) [2]: 2 D utd most recent (utd = up to date) Deutsch catalogue number; [3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the ...
Schubert's piano sonatas seem to have been mostly neglected during the entire nineteenth century, often dismissed for being too long, lacking in formal coherence, being un-pianistic, etc. [83] However, references to the last sonatas can be found among two nineteenth-century Romantic composers who took serious interest in Schubert's music and ...
Schubert's last sonatas; Sonata in B-flat major for piano four-hands, D 617 (Schubert) Sonata in C major for piano four-hands, D 812 (Schubert)
The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs. [ 5 ] [ 6 ] They were named Sonatina when published posthumously as Op. 137 in 1836. [ 7 ] Since these works are modest in size—rather to be compared to Mozart's violin sonatas than to Beethoven's —the "Sonatina" diminutive stuck to them.
Schubert's Opus 1: "Erlkönig", D 328, fourth version, was published by Diabelli as Schubert's "1 tes Werk" (first work) in 1821.The Lied, composed by Schubert in 1815, was later adopted along with its prior versions as No. 178 in Series XX, Vol. 3 of the AGA (1895), and in Series IV, Vol. 1 of the NSE (1970).
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