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The BMS file describes how notes are arranged and how the game responds when the player takes a specific action. It is a plain text file with "directive" lines starting with the # character. Each directive line is formatted in the form below: #[definition_setter] [definer] The space between the definition setter and the definer is required.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The Standard Music Font Layout , which is supported by the MusicXML format, expands on the Musical Symbols Unicode Block's 220 glyphs by using the Private Use Area in the Basic Multilingual Plane, permitting close to 2600 glyphs.
Notes in it include a prime symbol below the note's letter. Names of subsequent lower octaves are preceded with "sub". Notes in each include an additional prime symbol below the note's letter. The octave starting at tenor C is called the "small" octave. Notes in it are written as lower case letters, so tenor C itself is written c in Helmholtz ...
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
Video game soundtracks considered the best Year Game Lead composer(s) Notes Ref. 1985 Super Mario Bros. Koji Kondo: The Super Mario Bros. theme was the first musical piece from a video game to be inducted into the Library of Congress's National Recording Registry. [1] [A] 1988 Mega Man 2: Takashi Tateishi [B] 1989 Tetris: Hirokazu Tanaka: Game ...
The notes do not come in spelling order but are all adjacent (not separated by other notes). BACH motif followed by transposed version from Schumann's Sechs Fugen über den Namen B-A-C-H, op. 60, no. 4, mm. 1-3 [23] Play ⓘ. C and H are transposed down, leaving the spelling unaffected but changing the melodic contour.
Like all XML-based formats, MusicXML is intended to be easy for automated tools to parse and manipulate. Though it is possible to create MusicXML by hand, interactive score writing programs like Finale and MuseScore greatly simplify the reading, writing, and modifying of MusicXML files.