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"5,6,7,8" is a song by British group Steps from their debut studio album, Step One (1998). Written by Barry Upton and Steve Crosby and produced by Karl Twigg, Mark Topham and Pete Waterman , the song blends techno-pop and country pop styles.
The 5.6.7.8's song "The Barracuda" is featured in The Fast and the Furious: Tokyo Drift soundtrack. According to Kill Bill director Quentin Tarantino, he discovered the music of the 5.6.7.8's after hearing it in an urban clothing store in Tokyo, hours before going to the airport. Tarantino asked if he could purchase the CD from the store, as he ...
"The Song" No — "Chest of Broken Hearts" (partial) Original Shaiman & Wittman: Karen 4. "The Song" No — "Everybody Loves You Now" Billy Joel — Kyle Bishop & Veronica 4. "The Song" No Smash: Season 2 "I Can't Let Go" Original Shaiman & Wittman Veronica, Karen & Ivy 4. "The Song" Yes Smash: Season 2 "Public Relations" Original Shaiman & Wittman
"1234" is a song by Canadian singer-songwriter Feist from her third studio album, The Reminder (2007). The song was co-written by Feist and Sally Seltmann, an Australian singer-songwriter who also recorded under the stage name New Buffalo. [1]
"Woo Hoo" was covered by the Scottish rock band, The Revillos, (under the name "Yeah Yeah"), under the same title by the French psychobilly (or as they say themselves, "yé-yé-punk") band Les Wampas on their 1988 album, Chauds, sales et humides, by the Japanese girl band The 5.6.7.8's on their 1996 album Bomb the Twist and as a dance/electronica track in 2005 by the American act The Daltronics.
"634-5789 (Soulsville, U.S.A.)" is a soul song written by Eddie Floyd and Steve Cropper. It was first recorded by Wilson Pickett on December 20, 1965 [1] and included on his 1966 Atlantic Records album The Exciting Wilson Pickett with backing vocals by Patti LaBelle and the Blue Belles.
Perhaps some of "Indian Summer's" success as a jazz tune is that it "bears no European mark", being a "thirty-two measure song with the form of A-B-A-C. "The melody sings marvelously throughout without a single cliche or let down," composer and critic Alec Wilder wrote in American Popular Song: The Great Innovators, 1900–1950 (1972), despite ...
Karen E. Graves of AllMusic gave the album a score of four out of five stars, writing that, "the group's carefree sound and merry mangling of English are infectiously fun for those who like their rock & roll to be a little bit more bubblegum, favoring style over substance."