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"Chester" is a patriotic anthem composed by William Billings and sung during the American Revolutionary War.Billings wrote the first version of the song for his 1770 songbook The New England Psalm Singer, and made improvements for the version in his The Singing Master's Assistant (1778).
The Son of God Goes Forth to War (1812) is a hymn by Reginald Heber [1] which appears, with reworked lyrics, in the novella The Man Who Would Be King (1888), by Rudyard Kipling and, set to the Irish tune The Moreen / The Minstrel Boy, in the film The Man Who Would Be King (1975), directed by John Huston. [2]
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
Crazy in Love" uses two major chords, B♭ and G, a minor third apart. [21] One of the main vocal riffs uses the traditional cowbell rhythm often found in samba music. [ 22 ] [ 13 ] Lisa Verrico of The Times magazine, wrote that "Crazy in Love" makes use of big drums and bits of brass .
"I Vow to Thee, My Country" is a British patriotic hymn, created in 1921 when music by Gustav Holst had a poem by Sir Cecil Spring Rice set to it. The music originated as a wordless melody, which Holst later named " Thaxted ", taken from the "Jupiter" movement of Holst's 1917 suite The Planets .
The funeral of Queen Mary II (30 April 1662 – 28 December 1694) in Westminster Abbey was not until 5 March 1695. Purcell composed a setting of the sixth of the seven sentences of the Anglican Burial Service ("Thou Knowest Lord", Z. 58C) for the occasion, together with the March and Canzona, Z. 780. [1]
At a memorial service for Tyng, Duffield gave a sermon based on Ephesians 6:14, "Stand firm, wearing the whole armour of God", and ended it by reciting the new hymn he had written as a tribute. [4] The hymn was first brought into public knowledge through leaflets printed by the superintendent of the local Christian school containing the words ...
The oratorio's structure follows the liturgical year; Part I corresponding with Advent, Christmas and the life of Jesus, Part II with Lent, Easter, Ascension and Pentecost, Part III with the end of the church year, dealing with the end of time, the Resurrection of the dead and Christ's glorification in heaven.
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