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Hardvapour is an Internet-based microgenre [1] of music that emerged in late 2015 as a tongue-in-cheek response to vaporwave, [2] departing from the calm, muzak-sampling capitalist utopia concept of the latter in favor of a gabber- and punk-influenced sound.
Download QR code ; Print/export ... on 4chan and Reddit who sought to separate vaporwave into ... 2015 to 2019 was to use vaporwave songs and music videos to escape ...
Chuck Person's Eccojams Vol. 1 is a 2010 album of remixes by American electronic musician Daniel Lopatin under the pseudonym Chuck Person. Its tracks consist of chopped, looped samples of various songs—including popular songs from the 1980s and 1990s—processed with effects such as delay, reverb, and pitch shifting; the results highlight mournful or existential moments from the sources.
Floral Shoppe (Japanese: フローラルの専門店, Hepburn: Furōraru no Senmon-ten) is the ninth studio album by the American electronic musician Ramona Andra Langley under the alias Macintosh Plus, released on December 9, 2011, by the independent record label Beer on the Rug.
2814 (stylized in fullwidth characters as 2814 [1]) is a British-American collaborative ambient and vaporwave project of the electronic musicians Luke Laurila, also known as Telepath (stylized as "t e l e p a t h テレパシー能力者 "), and David Russo, also known as HKE (an abbreviation of the earlier moniker Hong Kong Express), respectively. [2]
Macross 82-99's 2013 albums ネオ東京 (English: Neo Tokyo) and SAILORWAVE, along with musical cohort Saint Pepsi's Hit Vibes, are commonly cited as the origin point for the "future funk" subgenre of vaporwave, which combines the sample-based production approach and visual language of vaporwave with French house and dance music influences. [1 ...
Luxury Elite, [a] also simply known as Lux (born August 17, 1988), is an anonymous American musician known for her significant influence in the vaporwave genre. During the 2010s, her lo-fi sound and visual style, along with her relaxed melodies, made her an impactful figure in the "late night lo-fi" subgenre.
Slide received generally favorable reviews from music critics.PopGun Presents described the album as "a glossy, cathartic fusion of electronic pop, trip-hop, and, of course, vaporwave" and wrote that "the project earned [Clanton] a new level of well deserved notoriety both within and outside of the vaporwave subculture he came up in." [3] Miles Bowe of Pitchfork wrote that in Slide "the ...