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Hardvapour is an Internet-based microgenre [1] of music that emerged in late 2015 as a tongue-in-cheek response to vaporwave, [2] departing from the calm, muzak-sampling capitalist utopia concept of the latter in favor of a gabber- and punk-influenced sound.
Vaporwave is cited for espousing an ambiguous or accelerationist relationship to consumer capitalism. [89] [1] and a popular trend within its audience from 2015 to 2019 was to use vaporwave songs and music videos to escape reality by observing and remixing commercial products and popular trends of the past. [32]
Chuck Person's Eccojams Vol. 1 is a 2010 album of remixes by American electronic musician Daniel Lopatin under the pseudonym Chuck Person. Its tracks consist of chopped, looped samples of various songs—including popular songs from the 1980s and 1990s—processed with effects such as delay, reverb, and pitch shifting; the results highlight mournful or existential moments from the sources.
Adam Harper of Dummy, in an article about the vaporwave culture, described the album's content as "chopped, glitching and screwed adult contemporary soul alongside twinkling spa promotional tunes." [ 3 ] Other descriptions that have been attributed to Floral Shoppe , and to the vaporwave genre in general, include 1980s funk, elevator music, and ...
Luxury Elite, [a] also simply known as Lux (born August 17, 1988), is an anonymous American musician known for her significant influence in the vaporwave genre. During the 2010s, her lo-fi sound and visual style, along with her relaxed melodies, made her an impactful figure in the "late night lo-fi" subgenre.
News at 11 is the fourteenth studio album by Cat System Corp., the alias of Dutch electronic musician Jornt Elzinga. Released on September 11, 2016, it samples smooth jazz songs and excerpts from TV talk shows and commercials as a tribute to the victims of the September 11 attacks.
The duo was described by Vice as "vaporwave superstars", with writer Britt Brown describing Birth of a New Day as "amazing cyberfuture ambient vaporwave". [5] As the most critically acclaimed vaporwave project, 2814 broke the common association between vaporwave and plunderphonics; according to Rolling Stone , the duo has "captured all the ...
In 1984, Diana Ross covered the song. It appears on the album Swept Away. [6] This version was later sampled in the 2011 vaporwave song "リサフランク420 / 現代のコンピュー" ("Lisa Frank 420 / Modern Computing") by Macintosh Plus, [7] where it was slowed down and chopped and screwed, with the pitch changed. It became an Internet ...