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Despair by Edvard Munch (1894) displays emotion that could be seen as related to dissociation or depression in borderline personality disorder. Due in part to the mental health struggles and incarceration in an institution of his sister, Laura Catherine, and in part to then-prevailing beliefs in hereditary insanity, Edvard Munch often expressed ...
Anxiety (Norwegian: Angst) is an oil-on-canvas painting created by the expressionist artist Edvard Munch in 1894. It is now in the Munch Museum in Oslo, Norway. Many art critics [who?] feel that Anxiety is closely related to Munch's more famous piece, The Scream (1893). The faces show despair and the dark colors show a depressed state.
The Kiss by the Window (or Kissing by the Window or simply The Kiss) is an 1892 oil-on-canvas painting by the Norwegian artist Edvard Munch, now in the National Gallery of Norway. [1] It forms part of his series known as The Frieze of Life, which treats the cycle of life, death and love and was produced between 1893 and 1918. [citation needed]
This is a complete list of paintings by Edvard Munch (12 December 1863 – 23 January 1944) [1] a Norwegian symbolist painter, printmaker and an important forerunner of expressionist art. His best-known composition, The Scream (1893), is part of a series The Frieze of Life , in which Munch explored the themes of love, fear, death, melancholia ...
Melancholy (Norwegian: Melankoli; also known as Jappe on the Beach, Jealousy or Evening) is a painting by the Norwegian artist Edvard Munch. Munch painted multiple variant versions of the expressionist work in oil on canvas during the period 1891–1893. The painting depicts a man with his head resting in his hand in a pensive mood at the edge ...
The Scream (Norwegian: Skrik) is the popular name given to each of four versions of a composition, created as both paintings and pastels, by the Expressionist artist Edvard Munch.
The Kiss is an oil painting on canvas completed by the Norwegian symbolist artist Edvard Munch in 1897. Part of his Frieze of Life, which depicts the stages of a relationship between men and women, The Kiss is a realization of a motif with which he had experimented since 1888/89: a couple kissing, their faces fusing as one in a symbolic representation of their unity.
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