Search results
Results from the WOW.Com Content Network
The middle Baroque period in Italy is defined by the emergence of the vocal styles of cantata, oratorio, and opera during the 1630s, and a new concept of melody and harmony that elevated the status of the music to one of equality with the words, which formerly had been regarded as pre-eminent. The florid, coloratura monody of the early Baroque ...
The recorder family, one of the many consorts of instruments available to Renaissance composers. One key distinction between Renaissance and Baroque instrumental music is in instrumentation; that is, the ways in which instruments are used or not used in a particular work. Closely tied to this concept is the idea of idiomatic writing, for if ...
The concerto grosso (pronounced [konˈtʃɛrto ˈɡrɔsso]; Italian for big concert(o), plural concerti grossi [konˈtʃɛrti ˈɡrɔssi]) is a form of baroque music in which the musical material is passed between a small group of soloists (the concertino) and full orchestra (the ripieno, tutti or concerto grosso).
The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastian Bach's harpsichord concertos, were written around the same time. In the second half of the 18th century, the piano became the most used keyboard instrument, and composers of the Classical Era such as Joseph Haydn, Wolfgang Amadeus Mozart and ...
The king's time on the continent, his (hidden) preference for Catholicism and explicit desire for entertainment led to the embracing of the Baroque and continental forms of music. [2] The court became something of a crossroads of European musicians and styles on a much grander scale than previously achieved.
During this time it is believed he studied and wrote compositions in the French Style, such as a five-part incomplete Fantasie and Fugue for organ, BWV 562, that is based exactly on the voicing, texture, and structure of the works of the French baroque composer De Grigny, and would make it eligible for notes inégales.
Baroque (c. 1600 – c. 1750) – Period characterized by the development of tonality and a greater emphasis on contrast and ornamentation in music. Genres like the opera, cantata, oratorio, and concerto were developed during this time. Galant music (c. 1720 – c. 1770) Empfindsamkeit (c. 1730 – c. 1750)
The ritornellos are guideposts to the tonal structure of the music, confirming the keys to which the music modulates. The first and last statements are in the tonic; at least one (usually the first to be in a new key) is in the dominant; and others may be in closely related keys. [6]