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Utopia is the second of two self-titled albums by the rock group Utopia (the other being Todd Rundgren's Utopia). It was released in 1982 (see 1982 in music). It was also their only album for Network Records. During the composing phase of this album, Kasim Sulton had left to pursue a solo career, and Doug Howard from the band Touch was brought ...
Todd Rundgren's Utopia is the debut album by the American rock band Utopia, released on October 4, 1974 on Bearsville Records. The band was formed in 1973 by musician, songwriter, and producer Todd Rundgren who decided to expand his musical style by moving from pop-oriented rock towards progressive rock. He assembled a six-piece group that ...
Download QR code; Print/export Download as PDF; ... Media in category "Utopia (band) album covers" The following 10 files are in this category, out of 10 total. A.
Deface the Music is the fifth studio album by the band Utopia. The concept of the album was to pay homage to the Beatles and create songs which sounded very similar to the Fab Four's tunes throughout the various stages of their career. Their song "Take It Home", replete with guitar riff, is their homage to "Day Tripper". The first track, "I ...
Featuring Beyoncé, SZA, Bon Iver, Drake, Sampha, Young Thug, Playboi Carti, Daft Punk’s Guy-Manuel de Homem-Christo, Future, James Blake, Kid Cudi, 21 Savage, and ...
Even the album’s closer, “Til Further Notice,” continues the low-frequency trip-hop of “Mile High,” James Blake, Metro Boomin and Scott’s last collaboration all together on Blake’s ...
Adventures in Utopia is the fourth studio album by Utopia. Mixing their earlier progressive rock style with mainstream rock, pop and disco music, Adventures in Utopia achieved success both with the band's established fan base and wider commercial success, with the track "Set Me Free" released as a single. The song became the only Top 40 single ...
Swing to the Right is the sixth studio album by Utopia. It followed the Beatles parody-homage Deface the Music. Swing to the Right moves into hard-edged commentary on corporate raiders, warmongers, political villains, and despicable music industry moguls. There is little in the way of progressive rock on this album, which is limited to its ...