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MCM chalkware lamps were often romantic and exotic with a focus on the idealized beauty of historic, natural, and abstract designs. Common motifs were dancers (often sold as a male and female pair), innocent or sensual figures, trees, flowers, animals, zig-zags, waves and modern abstract sculpture typical of the period.
Detail of the tomb of Sir Ralph Fitzherbert, d. 1483, showing some of his children. The sculpture industry evolved to produce two main forms, panels and statues. Thin panels carved in high relief, typically about 40 cm by 25 cm in size, usually come from series covering the Passion or Life of Christ which were mounted in a wooden framework as altarpieces, or used by the wealthy as domestic ...
LOVE sculpture Arts Park in New Castle, Indiana In New York City, New York In John F. Kennedy Plaza, Philadelphia with Museum of Art in the far background At the Scottsdale, Arizona Civic Center. Robert Indiana's pop art Love design was originally produced as a print for a Museum of Modern Art Christmas card in 1965.
During the renaissance period, vivid elements were found in the sculptures and fountains. Prior to that, in the medieval ages, king monarchs used decorative flower pots and creative urns in their gardens. Likewise, some artists took inspiration from the Greek and Roman mythology. They started trading antique sculptures from Greece and Italy.
Black alabaster is a rare anhydrite form of the gypsum-based mineral. The black form is found in only three veins in the world, one each in United States, Italy, and China. Alabaster Caverns State Park, near Freedom, Oklahoma, is home to a natural gypsum cave in which much of the gypsum is in the form of alabaster. There are several types of ...
Detailed_map_of_Gypsum,_Kansas.png (575 × 425 pixels, file size: 17 KB, MIME type: image/png) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Scottish National Gallery of Modern Art: LH 293 Reclining Figure: External Form [284] [285] 1954 Bronze L 213.5 University of Freiburg: LH 299 Image online [286] Upright Internal/External Form: Flower [287] 1951 Bronze H 66.1 Albright-Knox Art Gallery: LH 293b Image online [288] Upright Internal/External Form [287] 1953 Bronze H 200.5 LH 296 ...
The collection was first designed to have only 20 sculptures, [4] but after receiving George Segal's Abraham and Issac, in 1979, the total catalogue increased to 21. [5] The Princeton University Art Museum describes the collection as "not a static phenomenon" and that "work is underway to identify and purchase or commission works by artists." [1]