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Musical instruments of the Indian subcontinent can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments).
5 Indian percussion. 6 Further reading. 7 See also. ... Printable version; In other projects ... This page was last edited on 1 March 2024, ...
A demo of tabla playing. A tabla [nb 1] is a pair of hand drums from the Indian subcontinent.Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, [3] where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles.
In the Fiji Islands the dholak is widely used for Indian folk music, bhajan and kirtan. The dholak's higher-pitched head is a simple membrane while the bass head, played usually with the left hand, has a compound syahi to lower the pitch and enable the typical Dholak sliding sound ("giss" or "gissa"), often the caked residue of mustard oil ...
The gubguba, also known as gabgubagub, guba, gopijantro, gubgubbi, ananda lahari, premtal, khamak, khomok, chonka, jamidika, jamuku and bapang [what language is this?] is an Indian percussion string instrument. It consists of a dried gourd or wooden resonator through which a gut string is attached.
Parai also known as Thappattai or Thappu is a traditional percussion instrument from South India.It is a traditional instrument used to make announcements and played during festivals, folk dances, weddings and functions.
A "Chenda Melam" means percussion using Chenda. The Chenda is used as a percussion instrument for almost all Kerala art forms like Kathakali, Kodiyattam, Theyyam etc. Chenda melam is the most popular form in Kerala, for more than 300 years. A Chenda melam is an integral part of all festivals in Kerala.
One of the highlights of a modern Carnatic music concert is the percussion solo (thani avarthanam), where the mridangam artist and other percussionists such as kanjira, morsing, and ghatam vidwans exchange various complex rhythmic patterns, culminating in a grand finale where the main artist resumes where he or she left off. [citation needed]