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Milanese Baroque [1] refers to the dominant artistic style between the 17th century and the first half of the 18th century in the city. Due to the work of the Borromeo cardinals and its importance in the Italian domains, at first Spanish and then Austrian, Milan experienced a lively artistic season [ 2 ] in which it assumed the role of the ...
Surprisingly, Italian armchairs during the Neoclassical period made a return to the Baroque style, with heavy and bulky straight legs and sculptural carvings. They were usually quite bold, and Venetian and Genoese ones were often gilded, [2] whilst Milanese armchairs were mainly left untouched.
The grace and charm of Rococo furnishing succeeded the heavy and imposing Baroque style. Italian Rococo interior design was in essence copied from that of the Régence and Louis XV styles. However, some elements were changed, and cities such as Sicily and Venice produced especially unusual Rococo furniture.
The eighteenth century represents the last Baroque phase; the style did not blossom overtly into Rococo due to the normative action of the Milanese College of Engineers-Architects [note 2] and there was a change of trend: religious commissions no longer played the main role in the Milanese artistic scene, but gave way to the ville di delizia of ...
Italian baroque furnishing also had considerable Eastern influences. [4] Venetians, who at the time still held a vast sea empire, often imported rich fabrics and materials from other nations to enrich their furniture with eastern influences. Their furniture was chiefly sumptuous and luxurious, and included rich silks and green and gold lacquer. [4]
The Palazzo Litta, also known as the Palazzo Arese-Litta, is a Baroque structure in Milan, northern Italy, opposite San Maurizio al Monastero Maggiore, and dating from the period of Spanish rule of the city. In 2018, it served as a cultural center, housing exhibition spaces, offices, and a theater.
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The itinerary is chronologically arranged from the 14th century to the modern times with a particular attention for the Italian and lombardic furniture history. One of the most important artifacts exposed in the museum is the Chamber of Griselda: a wooden room reconstructed with fifteenth century detached frescoes to create a scale replica of ...
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