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The spiral dance is a central ritual dance to Reclaiming Witches. The first spiral dance was performed in Berkeley, CA, and was performed in a ritual intended to meld art, music, and politics as well as to celebrate the publication of The Spiral Dance by Starhawk. [2]
Lost Continent is a 1951 American black-and-white science fiction film drama from Lippert Pictures, produced by Jack Leewood, Robert L. Lippert, and Sigmund Neufeld, directed by Sam Newfield (Sigmund Neufeld's brother), that stars Cesar Romero, Hillary Brooke, Whit Bissell, [1] Sid Melton, Hugh Beaumont and John Hoyt.
The Balinese Sacred Dance Sanghyang Dedari involves girls being possessed by hyang, Bali, Indonesia. The theologian W. O. E. Oesterley proposed in 1923 that sacred dance had several purposes, the most important being to honour supernatural powers; the other purposes were to "show off" before the powers; to unite the dancer with a supernatural power, as in the dances for the Greek goddesses ...
In a Greek line Zeus himself is represented as dancing. Terpsichore is one of the nine Muses, representing dancing and dramatic chorus. In Sparta, a province of ancient Greece, the law compelled parents to exercise their children in dancing from the age of five years. They were led by grown men, and sang hymns and songs as they danced.
Dancers performing the Gaan Dance. Apache Crown Dance or Gaan Dance (also called Mountain Spirit, Crown Dance, Devil Dance) is an Apache ceremonial dance that is intended to protect the community from disease and enemies.
The ecstatic Kouretes dancing around the infant Zeus, depicted by Jane Ellen Harrison, 1912. Little is known directly of ecstatic dance in ancient times. However, Greek mythology does have several stories of the Maenads; the maenads were intoxicated female worshippers of the Greek god of wine, Dionysus, known for their "ecstatic revelations and frenzied dancing".
The first recording of the song was by the Fisk Jubilee Singers in 1915. [1] [5] The folklorist Alan Lomax recorded several traditional variants of the song in the 1930s, 40s and 50s across the United States, from Mississippi [6] to Ohio [7] to Michigan, [8] including one version by Huddie Ledbetter (Lead Belly) of Louisiana in 1935.
The "white room" was a mystical place that enabled one to become especially intimate with the Lord, but could only be reached through a progression of varying degrees of spiritual maturity. Another "fad" was known as the "pillar of holiness," a spiritual event that could only be experienced by those who had "gotten into the white room."
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