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The sun, or other light source, is often seen as either a bright spot or as a strong glare behind the subject. [1] Fill light may be used to illuminate the side of the subject facing toward the camera. The subject is generally considered silhouetted when there is a lighting ratio of 16:1 or more. [2]
The key light is usually the first and most important light to be considered when staging a scene. Its purpose is to highlight the form and dimension of the subject; omitting the key light can result in a silhouette effect. A diagram of a standard three-point lighting set-up, consisting of a key light, back light, and fill light Kuleshov effect
Flapping or tapping, also known as alveolar flapping, intervocalic flapping, or t-voicing, is a phonological process involving a voiced alveolar tap or flap; it is found in many varieties of English, especially North American, Cardiff, Ulster, Australian and New Zealand English, where the voiceless alveolar stop consonant phoneme /t/ is pronounced as a voiced alveolar flap [ɾ], a sound ...
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In filmmaking, the 180-degree rule [1] is a guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. The rule states that the camera should be kept on one side of an imaginary axis between two characters, so that the first character is always frame right of the second character.
A celo cucoloris casting a shadow Crew members on National Treasure using a cookie. In lighting for film, theatre and still photography, a cucoloris (occasionally also spelled cuculoris, kookaloris, cookaloris or cucalorus) is a light modifier (tool, device) for casting shadows or silhouettes to produce patterned illumination.
Inside the Linac, electrons are focused and accelerated to form a beam of high-speed particles. Electrons emerging from the accelerator have energies up to 25 MeV and are moving at an appreciable fraction (95 – 99+ percent) of the speed of light (relativistic velocities). Lichtenberg figure captured in an acrylic block.
The Mozambique Drill, [1] also known as the Failure Drill, Failure to Stop drill, or informally as "two to the body, one to the head", [2] [3] is a close-quarters shooting technique that requires the shooter to fire twice into the torso of a target (known as a double tap or hammered pair to the center of mass), and follow up with a more difficult shot to the head that, if properly placed ...