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K. S. Gopalakrishnan was an Indian screenwriter, director, producer, and lyricist, who worked in Tamil, Malayalam and Hindi films. [1] Since the early 1960s, he directed 70 films. He spent most of his career directing and producing movies with social and devotional themes.
Gopalakrishnan continued under Sri K. Raghava Variyar of Thiruvananthapuram. He has performed all over India and played on many music festivals. He won several awards including the Kerala Sangeeta Natak Akademi Award and the Veena Sheshanna National Award. He has a widely range of krithis and varnams.
K. S. G. Venkatesh is an Indian actor and producer in the Tamil film industry. He is the son of director K. S. Gopalakrishnan . He acted in more than 50 films predominantly in Tamil film industry and more than 20 mega TV serials; around 2500 episodes.
Nathayil Muthu (transl. Pearl in the snail) is a 1973 Indian Tamil-language film directed, produced and written by K. S. Gopalakrishnan. The film stars K. R. Vijaya and R. Muthuraman, publicised as the former's 100th film as an actress. It was released on 25 October 1973.
Ennathan Mudivu was produced by Balu, [2] and directed by K. S. Gopalakrishnan, who also wrote the screenplay. [1] The film was based on Panimalai , a 1965 novel written by Maharishi . [ 3 ] Cinematography was handled by R. Sampath, art direction by Rangamuthu and editing by R. Devarajan.
He is accosted by Thailakethu, The king of Yakshas (K. S. Gopalakrishnan), who does not like Narada praising the Sun God. He is upset and decides to teach Narada a lesson. Thapathi (K. R. Chellam) is the daughter of the Sun God, and she falls in love with King Samvaran (Kothamangalam Seenu), even without meeting him. The Yakshas King is in love ...
Kulavilakku (transl. Lamp of the clan) is a 1969 Indian Tamil-language drama film written and directed by K. S. Gopalakrishnan. A remake of the Malayalam film Adhyapika (1968), it stars B. Saroja Devi and Gemini Ganesan. The film was released on 14 June 1969.
Panakkaari was released on 1 May 1953. [4] According to historian Randor Guy, the film failed at the box office "mainly because of its ‘anti-sentimental’ storyline".". During the same period, another film, Pitchaikkari, became a major commercial success; people in Madras would often joke, "Those who bought Panakkari became pitchaikkaarans (beggars), while buyers of Pitchaikkari became ...