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Michelangelo's two frescoes in the Cappella Paolina, The Conversion of Saul and The Crucifixion of St Peter were painted from 1542 to 1549, the height of his fame, but were widely viewed as disappointments and even failures by their contemporary audience. They did not conform to the compositional conventions of the time and the subject-matter ...
The Gallery of Maps [1] (Italian: Galleria delle carte geografiche) is a gallery located on the west side of the Belvedere Courtyard in the Vatican containing a series of painted topographical maps of Italy based on drawings by friar and geographer Ignazio Danti.
Map of the Apostolic Palace: 1-St.Peter's basilica 2-Sistine Chapel 3-Sala Regia 4,4b-Scala Regia 5-Pauline Chapel 6-Sala Ducale 7-Corridor of Bernini 8-St.Peter's Square 9-St.Peter's vestibule. The hall was begun under Pope Paul III by Antonio da Sangallo the Younger and was completed in 1573.
Pope Paul III commissioned this fresco by Michelangelo in 1541 and unveiled it in his Cappella Paolina. Restoration of the fresco completed in 2009 revealed an image believed to be a self-portrait of Michelangelo. [1] The figure is standing in the upper left corner of the fresco, wearing a red tunic and a blue turban.
The Conversion of Saul is a fresco painted by Michelangelo Buonarroti (c. 1542–1545). It is housed in the Pauline Chapel (Capella Paolina), Vatican Palace, in Vatican City. This piece depicts the moment that Saul is converted to Christianity while on the road to Damascus. Pope Paul III commissioned the work for the chapel of his namesake. The ...
The washed out section stretches from mile marker 432 in Tennessee east to mile marker 3 in North Carolina. I-40 West is closed starting at mile marker 3 in North Carolina west through mile marker ...
The Vatican Grottoes house frescoes, mosaics, sculptures, and inscriptions, many of which are relics from the older version of St. Peter's Basilica. The grottoes served as a memorial space, preserving the last images and elements of the ancient basilica.
The paintings and frescoes, which were executed between 1492 and 1494, drew on a complex iconographic program that used themes from medieval encyclopedias, adding an eschatological layer of meaning and celebrating the supposedly divine origins of the Borgias. [2] Five of the six apartments include frescoes painted in the vault.