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An audio engineer with audio console, at a recording session at the Danish Broadcasting Corporation. An audio engineer (also known as a sound engineer or recording engineer) [1] [2] helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound.
Acoustical engineering (also known as acoustic engineering) is the branch of engineering dealing with sound and vibration. It includes the application of acoustics, the science of sound and vibration, in technology. Acoustical engineers are typically concerned with the design, analysis and control of sound.
Broadcast engineering or radio engineering is the field of electrical engineering, and now to some extent computer engineering and information technology, which deals with radio and television broadcasting. Audio engineering and RF engineering are also essential parts of broadcast engineering, being their own subsets of electrical engineering.
This category is for articles about schools that specialise in audio engineering (recording). It should not contain articles about schools where audio engineering is just part of a range of subjects. See also Category:Music schools and Category:Film schools
During production or earlier parts of post-production, sound editors, sound designers, sound engineers, production sound mixers and/or music editors assemble the tracks that become raw materials for the re-recording mixer to work with. Those tracks in turn originate with sounds created by professional musicians, singers, actors, or Foley artists.
In 1955, Putnam built Universal Studios a new 15,000 square foot facility at 46 E. Walton Street. Putnam's company quickly became Chicago's largest independent recording studio, hosting sessions for artists from Chicago blues labels such as Vee-Jay, Mercury and Chess.
Elizabeth Cohen (engineer) Rob Cohen (record producer) Dave Collins (audio engineer) Mickey Jack Cones; Justin Cook; Robert O. Cook; Tim Cooney (sound engineer) James Corcoran (sound engineer) Rich Costey; Carl Countryman; Michelle Couttolenc; Mike Coykendall; Larry Crane (recording engineer) James Cruz; John Cuniberti; John Curley (musician ...
Dialog, music and sound effects, called "D-M-E", are brought to the final mix as separate stems. Using stem mixing, the dialog can easily be replaced by a foreign-language version, the effects can easily be adapted to different mono, stereo and surround systems, and the music can be changed to fit the desired emotional response.