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The Mexicayotl movement started in the 1950s with the founding of the group Nueva Mexicanidad by Antonio Velasco Piña.In the same years Rodolfo Nieva López founded the Movimiento Confederado Restaurador de la Cultura del Anáhuac, [1] the co-founder of which was Francisco Jimenez Sanchez who in later decades became a spiritual leader of the Mexicayotl movement, endowed with the honorific ...
Coiled Serpent, unknown Aztec artist, 15th–early 16th century CE, Stone, The Metropolitan Museum of Art, New York, United States [1] The use of serpents in Aztec art ranges greatly from being an inclusion in the iconography of important religious figures such as Quetzalcoatl and Cōātlīcue, [2] to being used as symbols on Aztec ritual objects, [3] and decorative stand-alone representations ...
Art historian Dawn Ades writes, "Far from being inferior, or purely decorative, crafts like textiles or ceramics, have always had the possibility of being the bearers of vital knowledge, beliefs and myths." [51] Recognizable art markets between Natives and non-Natives emerged upon contact, but the 1820–1840s were a highly prolific time.
In 2006, a massive monolith of Tlaltecuhtli was discovered in an excavation at the Templo Mayor in Tenochtitlan (modern-day Mexico City). [18] The sculpture measures approximately 13.1 x 11.8 feet (4 x 3.6 meters) and weighs nearly 12 tons, making it one of the largest Aztec monoliths ever discovered—larger even than the Calendar Stone.
The Disk of Mictlāntēcutli (Nahuatl: [mik.t͡ɬaːn.ˈteːkʷ.t͡ɬi] ⓘ), otherwise known as the Disk of Death, is a pre-Hispanic sculpture depicting Mictlāntēcutli, the Aztec god of death and ruler of Mictlān, the underworld of Aztec mythology. [1] Archaeologists found the artwork in Teotihuacan's Pyramid of the Sun in 1963.
Mural by Diego Rivera showing the pre-Columbian Aztec city of Tenochtitlán.In the Palacio Nacional in Mexico City.. Mexican muralism refers to the art project initially funded by the Mexican government in the immediate wake of the Mexican Revolution (1910–1920) to depict visions of Mexico's past, present, and future, transforming the walls of many public buildings into didactic scenes ...
Codex Azcatitlan, a pictorial history of the Aztec empire, including images of the conquest; Codex Aubin is a pictorial history or annal of the Aztecs from their departure from Aztlán, through the Spanish conquest, to the early Spanish colonial period, ending in 1608. Consisting of 81 leaves, it is two independent manuscripts, now bound together.
The Dialogue of Earth and Sky: Dreams, Souls, Curing and the Modern Aztec Underworld. Tucson: University of Arizona Press. ISBN 0-8165-2413-0. OCLC 54844089. Miller, Mary; Karl Taube (1993). The Gods and Symbols of Ancient Mexico and the Maya: An Illustrated Dictionary of Mesoamerican Religion. London: Thames & Hudson. ISBN 0-500-05068-6.
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