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A drawing from the Catalog of the Royal Armoury of Madrid by the medievalist Achille Jubinal in the 19th century. The original specimen was destroyed by a fire in 1884. The maquahuitl (Classical Nahuatl: māccuahuitl, other orthographic variants include mākkwawitl and mācquahuitl; plural māccuahuimeh), [4] a type of macana, was a common weapon used by the Aztec military forces and other ...
The Mexicayotl movement started in the 1950s with the founding of the group Nueva Mexicanidad by Antonio Velasco Piña.In the same years Rodolfo Nieva López founded the Movimiento Confederado Restaurador de la Cultura del Anáhuac, [1] the co-founder of which was Francisco Jimenez Sanchez who in later decades became a spiritual leader of the Mexicayotl movement, endowed with the honorific ...
The Aztecs [a] (/ ˈ æ z t ɛ k s / AZ-teks) were a Mesoamerican civilization that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries.
The Double-headed serpent is an Aztec sculpture. It is a snake with two heads composed of mostly turquoise pieces applied to a wooden base. It came from Aztec Mexico and might have been worn or displayed in religious ceremonies. [1] The mosaic is made of pieces of turquoise, spiny oyster shell and conch shell. [2] The sculpture is at the ...
Art in Latin America: The Modern Era, 1820–1980. New Haven: Yale University Press 1989. Baddeley, Oriana & Fraser, Valerie (1989). Drawing the Line: Art and Cultural Identity in Contemporary Latin America. London: Verso. ISBN 0-86091-239-6. Alcalá, Luisa Elena and Jonathan Brown. Painting in Latin America: 1550–1820. New Haven: Yale ...
Mural by Diego Rivera showing the pre-Columbian Aztec city of Tenochtitlán.In the Palacio Nacional in Mexico City.. Mexican muralism refers to the art project initially funded by the Mexican government in the immediate wake of the Mexican Revolution (1910–1920) to depict visions of Mexico's past, present, and future, transforming the walls of many public buildings into didactic scenes ...
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