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The term "stained glass" commonly precedes "window" and is thus linked to architecture both linguistically and conceptually. The autonomous work is more like a painting than a stained glass window, and is a non-traditional use of the medium. [1] One critic somewhat pejoratively calls non-architectural stained glass "uncommissioned panels."
Stained glass guide (UK) "Stained Glass". Glass. Victoria and Albert Museum. Archived from the original on 23 December 2012; Gloine – Stained glass in the Church of Ireland Research carried out by David Lawrence on behalf of the Representative Church Body of the Church of Ireland, partially funded by the Heritage Council
The following is a list of works in stained glass designed by the English artist John Piper, listed chronologically. Already an established artist, Piper began designing for stained glass in the 1950s, working in partnership with Patrick Reyntiens , who manufactured the large majority of Piper's realised designs over a period of 30 years.
Stained glass conservation refers to the protection and preservation of historic stained glass for present and future generations. It involves any and all actions devoted to the prevention, mitigation , or reversal of the processes of deterioration that affect such glassworks and subsequently inhibit individuals' ability to access and ...
Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
Detail of Madonna and Child at Church of the Assumption, Bride Street, in Wexford, Ireland. Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator.He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1]
Together with his major competitor, Franz Mayer of the Royal Art Institute, these stained-glass artists developed the so-called "Munich style" of expert painting on relatively large glass panels (as opposed to the medieval technique of smaller pieces of colored glass held in a leaded framework, later adapted and modified by the great American ...
With the goal of providing more opportunities for women in stained glass, she trained women as apprentices and assistants in all phases of stained glass work. [2] One of Redmond's first stained glass commissions was a series of six windows of individual saints for St. Paul's Episcopal Church in Englewood, New Jersey .
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