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Other mascots include the "cool one", Blue (voiced by Robb Pruitt) [56] [57] who is the mascot for Almond M&M's; the seductive Green (her personality is a reference to the 1970s urban legend that green M&Ms were aphrodisiacs) [58] (voiced by Cree Summer and Larissa Murray), [57] who is the mascot for both Dark Chocolate Mint and Peanut Butter M ...
Belt buckles, often made of metal, vary from simple, one-color finishes to elaborately decorated belt plates with embossed or bas-relief images or multicolored logos. Pouches to carry objects, such as coin purses, holsters, scabbards, and inrōs, can be attached to belts and used instead of a garment's pockets. Many belts are marketed for one ...
The design of a pattern effective in all terrains has proved elusive. [180] [181] [182] The American Universal Camouflage Pattern of 2004 attempted to suit all environments, but was withdrawn after a few years of service. [183] Terrain-specific patterns have sometimes been developed but are ineffective in other terrains. [184]
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The kimono (きもの/着物, lit. ' thing to wear ') [a] is a traditional Japanese garment and the national dress of Japan.The kimono is a wrapped-front garment with square sleeves and a rectangular body, and is worn left side wrapped over right, unless the wearer is deceased. [2]
Googie Rene's Partially Damaged Halloween Costume Discount Basement, whose costumes are so stained and torn you need props to hide the imperfections (and everything carries suspicious odors). [ 287 ] Googie Rene's Slightly Damaged Prom Wear Barn, featuring dresses with grass stains on the backside and tuxedos with meatball stains on the front ...
Tartan (the design) is a pattern that comprises two or more different solid-coloured stripes that can be of similar but are usually of differing proportions that repeat in a defined sequence. The sequence of the warp colours (long-ways threads) is repeated in same order and size in the weft (cross-ways threads).
The pattern of movements was diverse and complicated, along the Atlantic coast and the northern Mediterranean coast, and sometimes also far inland. The prominent central role of Portugal in the region and the quality of the pottery all across Europe are forwarded as arguments for a new interpretation that denies an ideological dimension.
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