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The song is a rhapsodic ode with a theme of unrequited love. [2] Though lyrically genderless, the video for the song depicts a schoolboy with a crush on an older boy; [3] Elton John told Rolling Stone that it was "the first gay song that I actually recorded as a homosexual song". [4]
The supposed death of the love song is "why most people don't fall in love anymore, don't want to be in love, or whatever the deal is," Nathan says.
"Rise Above This" is a song by South African rock band Seether. It is the second single from the band's album Finding Beauty in Negative Spaces . It is the sixth track on the album and became the band's second consecutive number-one song on the U.S. Modern Rock chart.
Torch-singing is more of a niche than a genre and can stray from the traditional jazz-influenced style of singing; the American tradition of the torch song typically relies upon the melodic structure of the blues. [2] Examples of a collection are Billie Holiday's 1955 album Music for Torching and Entre eux deux by Melody Gardot and Philippe Powell.
Presley recorded the song on January 30, 1956, at the RCA Studio in New York. [ 15 ] [ 1 ] There were six songs handpicked by A&R person Steve Sholes himself for Presley to record for his first album at the sessions, but "One-sided Love Affair" was the only one Presley liked and recorded.
The time has come. ‘N Sync just released its first new song in over 20 years with “Better Place,” which is part of the upcoming “Trolls Band Together” movie.
Love Songs for the Retarded is the second studio album by the American punk rock band the Queers, released in 1993 by Lookout! Records.It was the first of five studio albums the band would record for Lookout!, and their first by the lineup of singer and guitarist "Joe Queer" King, bassist Chris "B-Face" Barnard, and drummer Hugh O'Neill.
Appeal to Reason is the fifth studio album by American punk rock band Rise Against.It was released on October 7, 2008. A melodic hardcore album, Appeal to Reason marked a musical shift from the gritty hardcore punk sound that had previously defined the band's career to what some have viewed as a more radio-friendly sound, with greater emphasis on production and bigger, more anthemic choruses.